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This collection contains primarily landscape and cityscape views primarily taken by professional photographers at international sites during the last quarter of the 19th century.

The bulk consists of salt prints and albumen prints taken by Nathaniel Fish Moore. Copy prints, correspondence, and other material that document the photography of N.F. Moore are included. This collection contains an early photograph of Columbia College at Forty Park Place, New York City, and portraits of Pierre Toussaint and Clement Clarke Moore, the latter credited for the poem "A Visit from St. Nicholas" more commonly known as "The Night Before Christmas."

This collection contains professional and personal writings, published papers, correspondence, photographs, architectural records, student work, and research materials related to the academic and architectural practice of Talbot Faulkner Hamlin.

This collection contains lectures, notes, photographs, correspondence, and architectural drawings documenting the work of Russell Sturgis, and, secondarily, his son, Lyman Sturgis. The materials were created between 1874 and 1932.

Collection consists of hundreds of albumen prints mounted on linen. The prints are of historic monuments and architectural and decorative details in European countries such as Italy, France, and Spain. These types of study prints were commonly found in many architectural firms during the late 19th and early 20th century. Though it is unclear how this particular collection of albumen prints was amassed by the office of G.A. and H. Boehm, Architects, it is possible that either brother purchased the prints while traveling in Europe during the 1890s-1900s. Many of the prints in the collection are from the core of historic images of art historical monuments. The majority of the prints are from the Italian firm Fratelli Alinari. In 1852 Leopoldo Alinari established a studio in the Via Nazionale in Florence. Two years later, his brothers Giuseppe and Romualdo (1830-1891) joined him in the venture which they then named "Fratelli Alinari, Fotografi Editori." Giuseppe and Romualdo managed the business while Leopoldo traveled, photographing monuments in Rome, Florence, Naples, Pompeii and elsewhere in Italy. By the 1860s the business expanded to a portrait studio and then publishing firm.

The Charles Dudley Arnold photographic collection is composed of three parts. The first is a collection of 47 platinum print photographs showing views of the Columbian Exposition. These photos were formerly mounted in an album from the library of McKim, Mead & White, architects. This album was v.10 of a 14 volume "collection of albums of photographs, illustrations from periodicals, clippings and sketches depicting works of the firm," now in Avery Classics at AA 712 M195.

Letters, documents, memorabilia, printed material, prints, medals and sculpture relating to Lincoln and the Civil War period. Included are a letter from Edward Everett, a Philip Henry Sheridan autograph, a document by W. H. Herndon, Linclon's law partner, 19th century leters and documents and 20th century clippings, pictures, etc. of or about Lincoln. The collection features a John Rogers sculpture, "The Council of War," several busts of Lincoln and other two and three dimensional works of art.

This small collection contains primarily Detwiller's student drawings, notes, course materials, books, class photographs, and graduation announcements from the period of his study at Columbia University from 1881 to 1885. These materials are supplemented by a small group of Detwiller's childhood sketchbooks, drawings and office papers created by Detwiller during his practice as a professional architect, and other scrapbooks and ephemeral items relating to Detwiller's family and personal interests, spanning the years 1874 to 1940.