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Many of the journal pages were cut out or clipped before the work was acquired by Columbia University. The material is all in French and is in an extremely small though legible script.

Correspondence, manuscripts and page proofs. The correspondence includes 12 letters from Roland Barthes, 1963-1978, concerning French literature in French and American universities, and one letter from Charles Maurras and his comments on Roudiez's Columbia University dissertation (1950), CHARLES MAURRAS: GENESIS OF A REACTION; also a typescript of the translation and revision of the dissertation, MAURRAS JUSQU'À L'ACTION FRANC̦AISE, published in Paris in 1957. In addition, there are several typescript drafts and page proofs all with holograph corrections for Roudiez's translations of Julia Kristeva's DESIRE IN LANGUAGE (New York: Columbia University Press, 1980) and POWERS OF HORROR (New York: Columbia University Press, 1982); and the typescript for Roudiez's book FRENCH FICTION TODAY(New Brunswick: Rutgers University Press, 1972)

A small group of letters, manuscripts, notes, notebooks, a diary, a document, and 43 books from his library of French literature, 32 of which are signed and inscribed to him by the author.

Correspondence with André Gide, the manuscripts and notes for his biography PORTRAIT OF ANDRÉ GIDE, and for his translations of the JOURNALS OF ANDRÉ GIDE, SO BE IT, and PRETEXTS, and other notes and articles about André Gide. Also, correspondence with many contemporary French writers including Albert Camus, Jean Cocteau, Julian Green, Valéry Larbaud, Jean Malaquais, Roger Martin du Gard, André Maurois, Henry de Montherlant, and Georges Simenon. Prof. O'Brien translated works by Baidouy, Albert Camus, Jean Cocteau, Henry de Montherlant, Nathalie Sarraute, and Jean-Paul Sartre; the typescript of Camus' L'EXILE ET LE ROYAUME is of special interest. Professor O'Brien's files cover a broad range of French culture including correspondence with other French scholars, educational organizations, editors, publishers (notably Blanche W. Knopf), with members of the OSS in wartime France, and with other literary figures such as Gilbert Highet, Dwight Macdonald, and Klaus Mann.

Writers represented in the correspondence files are Margaret Anderson, Sherwood Anderson, George Antheil, Djuna Barnes, Clive Bell, Malcolm Cowley, E.E. Cummings, John Dos Passos, Ford Madox Ford, Ernest Hemingway, Richard Hughes, Eugene Jolas, Archibald MacLeish, H.L. Mencken, Henry Miller, Adrienne Monnier, Man Ray, Elmer Rice, Jules Romains, Gertrude Stein, John Steinbeck, Allen Tate, Carl Van Vechten, Robert Penn Warren, and Edmund Wilson. Galantiere's best known work as a translator was that of the writings of Antoine de Saint-Exupéry, and the collection contains in addition to correspondence, twelve manuscripts, all bearing the author's and the translator's corrections. He also wrote extensively on economic subjects and current history, and these files and manuscripts are present in the collection. Galantiere wrote plays in his own name and adapted Jean Anouilh's ANTIGONE for Katharine Cornell in 1946, and there are materials relating to these works.

Correspondence, manuscripts, dispatches, documents, clippings and other printed materials concerning his career as an editor and correspondent for the New York Herald Tribune in Moscow, Berlin and New York, as a staff member of the Institute of Pacific Relations from 1932 to 1934, as deputy director in the Office of War Information overseas branch, 1941-44, as an owner and editor of the New York Star, 1948-49, as an instructor in communications at Sarah Lawrence College, 1950-1951, as a book editor at Simon and Schuster, Publishers, 1951-1970, and as an author and translator.

This collection includes manuscripts of poetry and of miscellaneous writings.