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The Tharchin Collection, 1901-1975, bulk 1923-1963

7.58 linear feet
Abstract Or Scope

The Tharchin Collection consists primarily of correspondence, publications and drafts, photographs, daybooks and financial accounts, and autobiographical materials. The geographic coverage of the collection spans both sides of the Himalayas, in particular, the activities of intellectuals, officials, missionaries, and other historical figures in India, Sikkim, and Tibet.

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Columbia Engineering Photograph Collection, 1958-2008, bulk 1988-2003

9.59 linear feet
Abstract Or Scope
This collection consists of photographs, negatives, and contact sheets of alumni and alumni activities, faculty, students and annual events which were taken to illustrate the School of Engineering and Applied Science alumni magazine Columbia Engineering.
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Office of Public Affairs Photograph Collection, 1947-2016

138.80 linear feet
Abstract Or Scope
This collection is a combination of several different accessions of prints, negatives, contact sheets, color slides and digital files that were created by the University Photographer and others in the Columbia University Office of Public Affairs. The collection documents many events held on campus (e.g., commencement, homecoming, 1968 protests), the Morningside campus, individuals (faculty, student athletes), and sporting events.
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Talbot Faulkner Hamlin papers and architectural records, 1880-1959, bulk 1916-1955

9.1 linear feet of papers
Abstract Or Scope

This collection contains professional and personal writings, published papers, correspondence, photographs, architectural records, student work, and research materials related to the academic and architectural practice of Talbot Faulkner Hamlin.

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Selma Rattner research papers on James Renwick, 1856-2001, bulk 1960s-2001

35.5 linear feet
Abstract Or Scope

This collections contains the professional research, writing, publications, and correspondence produced and collected by Rattner through her study of the architect James Renwick, Jr. The bulk of Rattner's research addresses the life and works of Renwick, but other research topics represented in her papers range from the Renwick family genealogy to the institutional architecture of New York City. Types of research material include personal research notes (in notecard format, both typed and holograph), correspondence (1963-2001), newspaper and magazine clippings, Xerox copies of archival material and secondary sources, transcribed articles and correspondence, brochures from historic sites, photographs and slides of buildings and sites, sketches, historic structure inventory forms, landmark nomination forms, landmark designation reports, and postcards.

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Serge Chermayeff architectural records and papers, 1909-1980

17 linear feet of papers
Abstract Or Scope

This collection contains materials related to Chermayeff's personal, professional, and academic lives, the bulk originating during his residency in the United States, beginning in the late 1930s. Project records document the full range of his work, including many records from his British period. The collection also contains extensive correspondence with personal friends, clients, and professional and academic colleagues.

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Gabriel Cooney Photograph Collection, 1991-1999, bulk 1996-1998

4.29 linear feet
Abstract Or Scope
This collection consists of photographic prints (8x 10 and 11x14) and negatives (35mm and 2 ¼" square) taken by professional photographer Gabriel Amadeus Cooney for Columbia University. Many of the images were ultimately used in a brochure titled Broadway Local published in 1991 and in a series of brochures for the Campaign for Columbia produced between1996 and 1999. Some prints and negatives are in color, but most are in black and white. Many of these negatives and prints correspond directly to contact sheets and prints found in Series I of the Office of Alumni and Development Photograph Collection (UA#0208).
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Subseries II.2 Campaign for Columbia Brochure Negatives, 1996-1999

Jack and Irene Delano papers, circa 1940-1997

273 linear feet
Abstract Or Scope

Art--Audio--Book Mock-up--Ephemera--Mixed--Moving Images--Music Scores--Original Papers--Photos--Printed--Sketches and prints for postcards--Art--Memorabilia.

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The Seymour B. Durst Old York Library Photograph and Lithograph collection

3000 photographs
Abstract Or Scope

The collection of historical photographs and lithographs of New York City consists of about 3,000 items dated from the 1850s until the 1980s. The collection is made up of color photographic prints, color negatives, black-and-white photographic prints, black-and-white negatives, copy prints, studio and cabinet cards, stereo cards, cyanotypes, albumen prints, gelatin silver prints, lantern slides, glass negatives, and Polaroid prints, lithographs, woodcuts, tear sheets, and engravings. The collection also includes official images, newspaper images, and candid images. Also included are images from the photo morgue of the New York Herald-Tribune newspaper, which ceased publication in 1966. Other images were purchased as copies from New-York Historical Society, Museum of the City of New York, WNYC-FM Radio, the Bettman Archive, and from collectors, private vendors, and other institutions. Photos by noted photographers are included.

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Joseph W. Molitor architectural photographs, 1935-1985, bulk 1946-1980

10,000 photonegatives
Abstract Or Scope

The bulk of this collection consists of more than 22,000 black and white photographic negatives and more than 10,600 black and white photographic prints documenting commercial, institutional, religious, and residential architecture throughout the United States, with particular emphasis on sites in the mid-Atlantic region. These images date from the mid-1930s to Molitor's retirement in the mid-1980s, with the great majority of images created between 1946 and 1980. Also included in the collection are images of landscapes, industrial design, portraits, and events of personal significance to Molitor. In some select cases, color prints, color negatives, color transparencies, and 35mm slides are also available in addition to or instead of the black and white negatives and prints. Researchers are also advised that documents in this collection indicate that when faced with a lack of storage space in 1973, Molitor contacted clients to return inactive negatives that they had comissioned before 1955. In at least some cases, those clients declined to accept their negatives and Molitor subsequently destroyed the images. Thus, this collection has lacunae in the negatives series.

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