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This collection consists of photographs, correspondence, event materials, fundraising records, calendars, publicity materials, programs, newsletters, interviews, and records related to a renovation project. It includes two photograph albums/scrapbooks containing mostly photographs, plus a few documents, with 61 black and white photographs of events at the Maison française, such as the visits of Edith Piaf, Jean-Paul Satre, Maurice Chevalier, Charles Boyer and Marcel Marceau.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

This collection contains audio recordings of Fellowship talks delivered by Olgivanna Lloyd Wright to members of the Taliesin Fellowship nearly each week, usually on Sundays organized chronologically from 1952-1984. These talks continued a tradition begun by Frank Lloyd Wright; they similarly cover a range of topics from Frank Lloyd Wright's Organic Architecture (often read from transcriptions of his Fellowship talks) to the daily activities of the Fellows. Many include her reading from poetry and philosophy and her own theories on moral character and the ethics of hard work. The collection also includes other talkes, speeches, and interviews with Olgivanna Lloyd Wright.