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Félix Candela architectural records and papers, 1950-1984

1876 drawings
Abstract Or Scope
Felix Candela (1910-1997) was a Spanish-born architect and engineer who gained a worldwide reputation for designing complex concrete structures, especially thin concrete shell structures, many times involving double curvature (hyperbolic paraboloid). This collection contains materials related to Candela's personal, professional, and academic lives, overarching all periods of his career. Project records document the full range of his work of both his Mexican and American periods. The collection contains extensive correspondence with personal friends, clients, and professional and academic colleagues; a large number of reference files relating to architecture, design, urbanism, technology, sociology, anthropology, and current events, compiled throughout Candela's professional life; architectural drawings and photographs from his work; and writings by and about Candela.
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George Cserna photographs and papers, 1937-1978

10,260 photographic items
Abstract Or Scope

This collection is photograph archive of the works of architectural photographer George Cserna. Images include interior and exterior shots of prominent New York buildings primarily during the 1960s. The collection has been arranged alphabetically by the client or architect of the building. Some of George Cserna's most notable work in this collection includes photographs of Ulrich Franzen's Agronomy Building, Emerson Hall, and Goddard Library at Cornell University; Haines, Lundberg, and Waehler's U.S. Trust Building and Schering-Plough Headquarters; Victor Lundy's I. Miller Store and IBM Headquarters; and I. M. Pei's John Hancock Tower, Mount Royal Bank and Ville Marie Complex, and MIT Chemistry Building. The collection also contains photographs of exhibitions and openings at the Museum of Modern Art in the 1960s and 1970s, such as The Responsive Eye and Toward a Rational Automobile. Finally, the collection has photographic portraits of notable persons including John dos Passos, W.H. Auden, and William Faulkner.

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