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The materials that comprise the Vertical File have been collected and added to from a variety of sources by former Avery Librarians. The vertical file contains clippings, pamphlets, reprints, and other miscellaneous materials relating to persons, places, organizations, and topical subjects relating to architecture, housing, and city planning. The purpose of the vertical file was to arrange and store small items, memorabilia, and ephemeral material on a variety of topics to facilitate access by researchers. For the most part, the vertical file contains printed items only. Manuscript material and other unique items were, generally, not placed in the vertical file. In some cases, manuscript material has been removed from the Vertical File and placed in its corresponding collection.

Included are the architectural drawings pertaining to the Church of St. Vincent Ferrer in New York, N.Y. These drawings include plans, elevations, sections, and details in full-scale, and the dates of the drawings span 1908-1928. The drawings are cataloged separately in CLIO and their call numbers are NYDA98-F0 through NYDA98-F6; their accession numbers are 1996.011.00001 through.00452.

The collection consists of of architectural working drawings and renderings for 23 projects undertaken by firms associated with Ralph Adams Cram (firms include Cram, Wentworth, and Goodhue; Cram, Goodhue, and Ferguson; and Cram & Ferguson). The dates of the drawings span 1890-1929. Each project was catalogued separately in the online catalog. This finding aid provides a link to each project's associated record. Sheet level description can be found in these project-level records. Each sheet is individually accessioned with numbers ranging from 1000.026.00001 through .00151. Drawings are arranged alphabetically by project title/client.

This small collection contains primarily photographs, supplemented by a very few architectural drawings, specifications, and reference materials related to the projects and designs of Bertram Grosvenor Goodhue and his successor firm, Mayers, Murray & Philips, in the New York City region and in other locations in the United States. It also includes reference materials and a photograph of Betram Goodhue's New York City office.

This collections includes architectural drawings, files and photographs of projects designed by Woodbridge and his various firms, circa 1928-1960s. These include buildings at Presbyterian Church, Savoonga, St. Lawrence Island, Ala.; Cole Memorial Chapel, Wheaton College, Wheaton, IL; Amherst College, Mass.; Smith College, Mass.; St. Mary the Virgin Church, Chappaqua, N.Y.; St. John's Chapel and Library, Hobart College, Geneva, N.Y.; the Keene Valley Congregational Church, Keene Valley, N.Y.; and the Brick Presbyterian Church and the Episcopal Church Center, both in New York City; as well as other churches, residences, and miscellaneous projects. Also, included are drawings done by Woodbridge while a student at the Columbia School of Architecture, early 1920s; photographs of some of Woodbridge's buildings taken mostly by the architectural photographer Samuel H. Gottscho; a small sample of Woodbridge's correspondence, 1941-1942, documenting his role as chairman of the American Institute of Architects Committee on Architectural Services, relating to the role architects could play in the war effort; sketchbooks of various international locations; and photographs and documents relating to archaeological excavations at Antioch in Pisidia, Turkey.

This collection contains architectural records, photographs, and professional records and related to the architectural practice of Henry A. Minton and John G. Minton. The majority of the projects are for Henry Minton's chapels, parish halls, schools, gymnasiums, auditoriums, rectories, convents, cemeteries and mausoleums for Roman Catholic parishes. Henry Minton also designed numerous branches for the Bank of Italy and a pre-flight school for the United States Navy. The remainder of his designs consisted of hotels, store buildings, and residences. The large majority of these projects were located in the California Bay Area, with a few elsewhere in California, Nevada, and Utah. Most of the drawings are graphite on tracing paper, the remainder are prints of various types. The project files consist mainly of specifications and proposals for Minton's projects, with a very few photographs. A small group of office records and professional papers complements these project records. Lastly, the collection also includes a smaller number of drawings and files for projects designed by Henry's son, John G. Minton, who continued his father's practice and often contributed additions and alterations to his father's earlier work.

This collection documents the life and career of Edgar Allen Tafel: New York architect, Frank Lloyd Wright historian, and one of the original apprentices of the Taliesin Fellowship from 1932. The collection primarily documents Tafel's professional activities and his later independent architectural career which was most prominent from 1965-1985. The collection is made up of nine series: Personal Papers, Correspondence, Writings, Professional Papers, Office Records, Project Records, Photographs and Slides, Audio-Visual Material, and Printed Material.

This collection contains architectural drawings, photographs, business records and reference materials related to the projects and designs of Bertram Grosvenor Goodhue and his successor firm, Mayers, Murray & Philips, primarily in the New York City region. A large portion of the collection consists of personal and professional correspondence to and from Goodhue from the early 1900s until his death in 1926. Relatively few architectural drawings from his professional practice survive.