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This collection primarily contains architectural renderings executed by Long in 1906 for a memorial issue of BUILDINGS magazine dedicated to New York architect Stanford White. These drawings represent White's most famous structures designed while he was a partner with McKim, Mead & White. Buildings depicted include Madison Square Garden, the New York Herald Building, and the Washington Memorial Arch, all in New York City, among others. Also included in this collection are miscellaneous architectural drawings by Long, Chester B. Price, and others, circa 1920s-1930s; and printed material.

Architectural drawings of late 18th- and early 19th-century residences, ecclesiastical buildings, commercial buildings, stables, and other structures located largely in New York City. Drawings are signed by Joseph Newton, James C. Lawrence, Henry Hedley, a Mr. Whiteman, T.G. Vandenheuvel. Drawings are largely unsigned. Among structures represented are Washington Hall, on Broadway, New York, undated, unsigned; "A plan of a roof sent to Philadelphia for the circus" undated, unsigned; and City Hall, New York, undated. Also, miscellaneous engravings, clippings, and details.

A 1956 proposal drafted by Skidmore, Owings & Merrill for the Union Carbide Building, a historically significant, mid-twentieth century office tower located at 270 Park Avenue, just north of Grand Central Station. The proposal consists of reproductions of plan and elevation drawings and photographs of the Union Carbide model, together with outline specifications, cost estimates, and construction and drawing schedules.

This collection contains photocopied images and original published plates of buildings in the United States and abroad designed by the New York architectural firms of Emery Roth and Emery Roth & Sons between the 1920s and the 1980s. The photocopied images are organized by project in binders; the original plates and photographic prints are organized by project in six folders.

Price's renderings, circa 1930s until his death in 1962, of designs by Warren and Wetmore, Benjamin Wistar Morris, III, and others; for the Hartford National Bank, Hartford, Conn. and the General Motors Building, New York City, designed by Shreve & Lamb; and other buildings. Also, eight photographs, undated, circa 1930s-1940s, showing the interior and exterior of Union Square Station, Toronto, Ontario (Price's relation to these is unclear).

This collection included primarily original and reprographic architectural drawings by Roth, circa 1907-circa 1949, largely of apartment buildings located in Manhattan and designed during the 1920s and 1930s. Represented are the San Remo Towers, The Beresford, The Oliver Cromwell, the Normandy, and numerous other apartment buildings. There are also drawings for several hotel and private residences. A two-volume typescript autobiography is also included.

Collection consists of sixty original architectural and furniture drawings for Lever House in New York City, drawn between 1950 and 1952. Most sheet are graphite on paper, with a smaller group of sepia diazo prints with extensive graphite annotations. All sheets were treated by a paper conservator and are now encapsulated in polyester film.

Included are 60 photographs, approximately half of which show architectural drawings and models of the New York State Capitol at Albany, and views of the Capitol under construction, circa 1860s-1880s. These primarily show the work of Eidlitz, Richardson and Company, who designed the Capitol. Projects of Fuller and Laver and I. G. Perry for the Capitol are also depicted. The rest of the photographs show other projects by Leopold Eidlitz and his firm including the American Exchange Bank, New York City, 1857; Broadway Tabernacle, New York City, 1859; the Continental Bank, New York City, 1856; the Cooper Union, New York City, circa 1886; Dry Dock Savings Bank, New York City, 1875; and Temple Emanu-El, New York City, 1868. Also, unidentified buildings, and buildings by other architects, including Cyrus W. Eidlitz (Association of the Bar of New York, Main Library, New York City, 1895), and Robert H. Robertson (Phillips Presbyterian Church, New York City, 1874). Two original drawings by Eidlitz of Christ Church, St. Louis, Missouri, circa 1859, and a competition design for the New York City Crystal Palace, circa 1852.

Architectural drawings for three projects; photographs of architectural drawings and models; photographs of sites before construction, buildings under construction, and interiors and exteriors of completed buildings; and related clippings. The three projects, with original drawings, arethe McGraw-Hill building, New York, 1929-1934, by Raymond Hood, Godley & Fouilhoux, and alterations, 1942-1944, by Harrison, Fouilhoux, and Abramovitz; Hood's first studies for Rockefeller Center, drawn by Walter Kilham, Jr. in 1929; and the Daily News Building, New York, 1929-1947, by Hood and John M. Howells. Also included are the Chicago Tribune Tower, Chicago (Hood won the competition for the project in 1922 - a photograph of the drawing submitted to the competition by architect Eliel Saarinen is included); photographs of models for Rockefeller Center buildings; and miscellaneous and unrealized projects. Also, two albums containing interior and exterior photographs of completed buildings designed by Hood including his American Radiator building, New York, the Chicago Tribune Tower, and others. Biographical material on Hood includes clippings of obituaries, 1934; photographs of Hood and his family, ca. 1890s-1930s, and travel photographs, early 20th century; clippings of articles by and about Hood; and biographical notes on Hood. Of interest is a photograph by Berenice Abbott of the McGraw-Hill building showing the Sixth Avenue El, demolished in 1940.