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William Bronk papers, 1908-1999

54 linear feet
Abstract Or Scope

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

John Eugene Unterecker papers, 1961-1987

53 linear feet
Abstract Or Scope

The collection documents the scholarship and writing of John Eugene Unterecker, a poet, biographer of the poet Hart Crane, and professor of English. The majority of the collection is composed of correspondence and manuscripts. Materials date from 1961 to 1987.

Kulchur Foundation records, 1936-1994, bulk 1969-1989

29.74 linear feet
Abstract Or Scope
Kulchur-- a little magazine focused on cultural criticism and later a small press, was an important publisher of avant-garde poets, particularly poets associated with what became known as the New York School. The Kulchur Foundation Records include administrative, financial and editorial records related to Kulchur Magazine, Kulchur Press, and the Kulchur Foundation. Additionally, it includes photographs, correspondence, artwork and manuscripts related to the Foundation or to its president-- writer, publisher, and art collector, Lita Hornick.
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William J. Higginson Papers, 1950-2007

111 linear feet
Abstract Or Scope
The William J. Higginson Papers consist primarily of correspondence with other poets and authors. There is also a sizable amount of Higginson's writings, including his manuscript, The Haiku Handbook: How to Write, Share, and Teach Haiku as well as many poems by both Higginson and his colleagues.
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Philip Whalen papers, 1941-1979

8.34 linear feet
Abstract Or Scope
Papers of Philip Whalen, American poet, novelist, and Zen Buddhist associated with the Beat Generation and the San Francisco Renaissance.
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Meyer Schapiro letters and manuscripts of Whittaker Chambers and James Thomas Farrell, 1923-1991

3 linear feet
Abstract Or Scope

Autograph and typed letters from James Thomas Farrell to Schapiro, concerning Farrell's personal life, his writings, and current social and political affairs. There are also eight of Farrell's manuscripts from the 1960s. The long friendship of neighbors is seen in Farrell's personal letters about his private life and his family and in the discussions of whichever novel he was working on at the time. The main body of the correspondence is from the World War II period and shows much concern for current events in the Soviet Union as well as in the U.S. and Europe. The author also made a few forays into Irish humor, as in the use of his pseudonym, Jonathan Titelescu Fogarty. There are autograph drafts of Prof. Schapiro's replies to and notes about Farrell, and letters and post cards from Farrell's actress wife, Hortense Adler. Also, a letter from Frances Mitchell on her book, THE AWAKENING - LE REVEIL, 1950.

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Meyer Schapiro papers, 1919-2006

400 linear feet
Abstract Or Scope
This collection encompasses the professional, personal, and artistic life of art historian Meyer Schapiro.
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