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George Cserna photographs and papers, 1937-1978

10,260 photographic items
Abstract Or Scope

This collection is photograph archive of the works of architectural photographer George Cserna. Images include interior and exterior shots of prominent New York buildings primarily during the 1960s. The collection has been arranged alphabetically by the client or architect of the building. Some of George Cserna's most notable work in this collection includes photographs of Ulrich Franzen's Agronomy Building, Emerson Hall, and Goddard Library at Cornell University; Haines, Lundberg, and Waehler's U.S. Trust Building and Schering-Plough Headquarters; Victor Lundy's I. Miller Store and IBM Headquarters; and I. M. Pei's John Hancock Tower, Mount Royal Bank and Ville Marie Complex, and MIT Chemistry Building. The collection also contains photographs of exhibitions and openings at the Museum of Modern Art in the 1960s and 1970s, such as The Responsive Eye and Toward a Rational Automobile. Finally, the collection has photographic portraits of notable persons including John dos Passos, W.H. Auden, and William Faulkner.

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New York City Opera records, 1924-2019, bulk 1965-1991

214 linear feet
Abstract Or Scope
New York City Opera (NYCO) was famously dubbed "The People's Opera" by Mayor Fiorello LaGuardia at its founding in 1943. The Opera company's mission is to inspire audiences with innovative and theatrically compelling opera at an affordable price. This collection documents the artistic productions and the daily administrative functions and operations attest to the mission of the company. The materials in this collection consist of administrative and financial records, production files, stage guides, scores, correspondence, programs, photographs, posters, scenery plans, memorabilia, printed materials, and audio and video recordings, dating from 1924 to 2019, with its bulk dating from 1965 to 1991.

Judith Crist papers, 1930s-2012

112 linear feet
Abstract Or Scope
Judith Crist (1922-2012), was a film critic, journalist, and long-time adjunct professor at the Columbia University School of Journalism (1958-2012). Her papers include clippings, correspondence, interviews, mementos, notes, photographs, review files, telephone logs, and audiovisual materials.

Arthur Mitchell Collection, 1800s-2021, bulk 1934-2019

107 linear feet
Abstract Or Scope
Arthur Mitchell (1934-2018) was an American ballet dancer, choreographer, and founder and director of the Dance Theatre of Harlem. This collection contains materials related to his career as a dancer with the New York City Ballet, and his later professional work with the Dance Theatre of Harlem and others. The collection includes administrative records, appointment books, correspondence, invitations, notes, notebooks, photographs, posters, programs, and audio and video recordings.
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John Eugene Unterecker papers, 1961-1987

53 linear feet
Abstract Or Scope

The collection documents the scholarship and writing of John Eugene Unterecker, a poet, biographer of the poet Hart Crane, and professor of English. The majority of the collection is composed of correspondence and manuscripts. Materials date from 1961 to 1987.

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Marvin Kitman papers, 1950-2006

277.58 linear feet
Abstract Or Scope

The dead columns of Marvin Kitman, mostly from Newsday. The file folders contain clippings, notes, background research, correspondence, publicity materials, photographs, etc. for the columns. Kitman writes about a variety of topics as he criticizes practically every television program and genre from the 1960s through 2003. There are also a few files of letters, as well as his various "polls".

Office of Public Affairs Photograph Collection, 1947-2016

138.80 linear feet
Abstract Or Scope
This collection is a combination of several different accessions of prints, negatives, contact sheets, color slides and digital files that were created by the University Photographer and others in the Columbia University Office of Public Affairs. The collection documents many events held on campus (e.g., commencement, homecoming, 1968 protests), the Morningside campus, individuals (faculty, student athletes), and sporting events.

Amiri Baraka papers, 1945-2015, bulk 1970s-2000s

219.5 linear feet
Abstract Or Scope
The Amiri Baraka Papers contains correspondence, writings, and the personal, political activism and teaching materials related to Amiri Baraka's career as a poet, writer, editor, activist, and teacher in the New York City Beat, Downtown, and Black Arts literary scenes from the 1960s through the 2000s. Included are manuscripts from Baraka's numerous books of poetry, non-fiction, fiction, plays, editorial work, and screenplays. The collection also features organizational and documentary materials relating to Baraka's university teaching and Newark, NJ-based Black radical activism, as well as audio/visual material, photographs, and printed material collected and created by Baraka.
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Center for US-China Arts Exchange records, 1956-2019, bulk 1977-2003

102 Linear Feet
Abstract Or Scope
This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.

Georges Ivanovich Gurdjieff papers, 1922-1954

6 manuscript boxes
Abstract Or Scope
Georges Ivanovich Gurdjieff (d. 1949) was a Greek-Armenian philosopher who lived and taught his "fourth way" in France. He was born sometime between 1866 and 1877 in Alexandropol, Armenia, which was then a governorate of the Russian Empire. After 1912, he began to instruct a group of students on esoteric knowledge (the source of which he never revealed but which he allegedly garnered after extensive travel throughout Asia), turning these into a type of philosophical system that today could be described as "self-help." After relocating to France, he established the Institute for the Harmonious Development of Man, began writing his manuscripts, and engaged students in sacred music and "movements." He gathered a significant following of writers, artists, and other members of the intelligentsia from the 1920s-1940s, including this collection's co-creators, namely P.D. Ouspensky, Alfred R. Orage, and Solita Solano. Gurdjieff wrote three volumes explaining his system, which were published posthumously. Applicable to architectural researchers are Gurdjieff and Olgivanna Lloyd Wright's life-long relationship. Olgivanna lived and studied at the Institute for a number of years before immigrating to the United States. She structured much of the life at Taliesin around Gurdjieff's philosophy, and the group often performed his "movements."
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Sacred Dancers, circa 1930s Box 6, Folder 5