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Percival Wilde letters, 1941-1951

1 box
Abstract Or Scope

Letters and postcards from Wilde to Prof Paul Robinson Coleman-Norton, professor of classical philology at Princeton University. The letters are personal in content, reminiscing on their former association at Burgoyne Trail, a nudist camp, asking Coleman-Norton's professional aid, and giving some account of Wilde's current activities. Many of the letters are signed "Jimmy.".

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Clifford Odets papers, 1937-1964, bulk 1945-1963

6 linear feet
Abstract Or Scope
Clifford Odets was an American playwright. He was born in 1906 to Russian and Romanian immigrants. Odets dropped out of high school, striking out on his own to pursue a career in acting. He was a founding member of the Group Theatre in New York that utilized a new technique in acting based on the ideas of Constantin Stanislavski. The Group Theatre was further developed by director Lee Strasberg. Odets was married twice, both to actresses: Luise Rainer and Bette Grayson. The collection consists of his original plays and screenplays, including drafts. These were at one time loaned to Margaret Brenman-Gibson for work on her biography of Odets, which was published in 1981. There is a small section of personal papers that includes clippings, correspondence, ephemera, notes, and his secretary's appointment book.
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Margaret Brenman-Gibson papers, 1940-1999, bulk 1963-1981

18 linear feet
Abstract Or Scope
Margaret Brenman-Gibson was a Harvard professor of Psychiatry. In 1981, she published a biography of American playwright Clifford Odets, entitled Clifford Odets - American Playwright: The Years from 1906-1940. Brenman-Gibson and her husband, William Gibson, also a playwright, lived and worked in Stockbridge, Massachusetts. The collection consists of Brenman-Gibson's research files for her work on the Clifford Odets biography. It contains chronological notebooks, which outline each year of Odets' life, as well as correspondence, interviews, and interview transcripts with friends, relatives, and acquaintances of Odets. The collection also contains copies of correspondence, diaries, and notes from Odets. A small portion of the collection consists of personal correspondence between Brenman-Gibson, William Gibson, and Clifford Odets.
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Pearl Mary Teresa Craigie Papers, 1885-1916

0.5 linear feet
Abstract Or Scope

The collection includes incoming and outgoing correspondence and the holograph manuscript for the novel, The Serious Wooing, published in 1901.

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Gregory Mosher papers, 1938-2002, bulk 1967-2002

26 linear feet
Abstract Or Scope
Gregory Mosher is an American theater director and producer. He led the Goodman Theatre in Chicago and later was asked to head the theater at Lincoln Center in New York City. Mosher was at Lincoln Center from 1985-1992. While there, he launched an innovative production schedule and implemented a new marketing scheme that replaced the traditional subscriber arrangement. Under Mosher, the theater flourished. He eventually left Lincoln Center and went on to lead the Arts Initiative at Columbia University. Currently, Mosher is a professor at Columbia's School of Arts. The collection consists of production files and correspondence from Mosher's time at the Goodman Theatre and Lincoln Center as well as for productions later in his career. In addition, there are plays as well as notebooks, appointment books, and videocassettes.
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Leonidas Westervelt papers, 1816-1950

4.5 linear feet
Abstract Or Scope

Correspondence and manuscripts of Westervelt. Much of the correspondence relates to the production of his own plays. Also, letters from famous actors including William Charles Macready, Augustin Daly, and Charles Kemble; typescript manuscripts of Westervelt's plays, among them "By Right of Sword" and "Rally Round the Flag;" and contracts, photographs, and printed materials.

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Booth Tarkington papers, 1921-1923

1 box
Abstract Or Scope

Correspondence regarding the production of the plays INTIMATE STRANGERS and MAGNOLIA by Tarkington. There are twelve holograph letters, one detail sketch for a costume, and one page of manuscript and one page of typescript notes by Tarkington as well as thirteen telegrams sent by him. The letters and telegrams are all addressed to Mr. Ira A. Hards, director of the plays. In addition, there are copies of seven telegrams by Hards and one by the producer, A.L. Erlanger, all but one of which are addressed to Tarkington. Also, carbon copies of four letters from Hards and Erlanger to Tarkington, two items concerned with book production and dramatic rights of THE INTIMATE STRANGERS and one theatre program.

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The Milk train doesn't stop here anymore, 1962 1963

1 box
Abstract Or Scope

Two playscripts of THE MILKTRAIN DOESN'T STOP HERE ANYMORE along with numerous drafts of the play's six scenes. Many of the pages bear cuts, corrections, and alterations by Williams. Also, the author's pen-and-ink rough sketch of the set. The playscripts and drafts are mainly photo-offset, typescript, and carbon typescript. There are also notes, a revision, photographs, and playbill for the production at the Festival dei due Mondi, Spoleto, July 1962.

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Rose Franken papers, 1925-1982

27 linear feet
Abstract Or Scope

Correspondence and manuscripts including drafts, typescripts, and proofs of Franken's short stories, novels, plays, and radio, film, and television scripts beginning with her first novel, PATTERN, published in 1925, through her latest volume, YOU'RE WELL OUT OF A HOSPITAL, published in 1966. Many of the manuscripts relate to her most famous characters, Claudia and David, who have become part of the contemporary cultural fabric. The collection also contains 18 volumes of clippings, approximately 200 recordings, and 501 mimeographed scripts relating to the "Claudia" series. Among the major correspondents are Faith Baldwin, Paul U. Kellogg, and Eleanor Roosevelt. Also includes an audio tape interview of Rose Franken (with typescript transcripts) conducted by her grandnephew, David Korr, in October 1977.

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Don Marquis papers, 1894-1944

10 linear feet
Abstract Or Scope

Correspondence, manuscripts, proofs, photographs, and printed and miscellaneous material relating to the life and writings of Don Marquis. Among the more important works included are MASTER OF THE REVELS, CHAPTERS FOR THE ORTHODOX, JACK (published as SONS OF THE PURITANS), THE EGO BIOGRAPHY, the "Old Soak" and "O'Meara" and stories, works related to archy and mehitabel, and THE DARK HOURS. Also, letters by Marquis, Joseph B. Gilder, Marjorie Vonnegut Marquis, Christopher Morley, and others, and manuscripts by Benjamin DeCasseres, Joseph B. Gilder, and Rodman Gilder.

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