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Oscar Sherwin papers, 1926-1974

4.5 linear feet
Abstract Or Scope

Correspondence, manuscripts, notes, course materials, illustrations, family items, and printed materials of Sherwin. The manuscripts are largely of unpublished material, but are of some published works like THE ENCOMPASSING MIRROR. The majority of the collection consists of Sherwin's notes on various literary and historical topics including among others Dryden, Pope, and Swift. Course materials are from his classes at City College. The illustrations are some of those considered for use in his publications. Family items include college papers by his son James, notebooks kept by his wife, Stella, during a period of mental illness, and Sherwin's reflections upon her condition. The printed materials consist of periodical articles and reviews by Sherwin and reviews of his books.

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Robert Halsband papers, 1708-1976

46 linear feet
Abstract Or Scope

Personal and professional papers including correspondence, manuscripts, documents, diaries, journals, photographs, and printed materials relating to his teaching at various universities, his literary studies and writings, and his professional activities in such organizations as the Moder Language Association and P.E.N. His correspondents include contemporary authors such as Edmund Blunden, Christopher Hassall, Louis Kronenberger; scholars such as James P. Clifford, Leon Edel, and A.L. Rowse. There are also some letters collected by Halsband, including those by Mrs Piozzi, John Wilkes (1727-1797) and John Stuart, 3rd Earl of Bute (1713-1792). Among the manuscripts are notes, drafts, typescripts, and proofs of his LIFE OF LADY WORTLEY MONTAGU (Oxford, 1956) and COMPLETE LETTERS OF LADY MARY WORTLEY MONTAGU (Oxford, 1965-1967). Also, manuscripts and typescripts of Halsband's diaries, journals, lectures, articles, book reviews, and essays. The printed materials include ephemera, books, and offprints by Halsband and books by other authors inscribed to him. There is a watercolor portrait of Halsband by Stephen Andrews, London, ca. 1966.

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