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Maurice Peress papers, 1898-1923, 1950s-2017

55 linear feet
Abstract Or Scope
Maurice Peress (1930-2017) was an American orchestra conductor, arranger, author, and educator. The papers include audio and video recordings, clippings, contracts, correspondence, diaries, memorabilia, notebooks, photographs, posters, programs, research materials, reviews, scores, scrapbooks, and working files, sketches, and other materials.
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Ulysses Kay papers, 1894-2017, bulk 1938-1995

55.25 linear feet
Abstract Or Scope
Ulysses Kay (1917-1995) was a noted twentieth-century American composer. The collection includes audio reels, biographical materials, correspondence, diaries, phonograph records, photographs, programs, and scores.

H. Lawrence Freeman papers, 1870-1982, 2015, bulk 1890-1954

35 linear feet
Abstract Or Scope
The original scores, clippings, correspondence and ephemera in this collection document the lives and careers of Harry Lawrence, Carlotta, and Valdo Freeman, a family of African-American performing artists involved in opera, theatre, and music in early-twentieth-century New York.

Jack Beeson papers, 1854-2013

80 linear feet
Abstract Or Scope
Jack Beeson (1921-2010) was a noted twentieth-century American composer, professor of composition, and the chair of the Columbia University Department of Music from 1968 to 1972. The collection includes scores, correspondence, subject files, scrapbooks, datebooks, drafts of written works, biographical materials, programs, and audio and audiovisual recordings.

Alvin Singleton papers, 1952-2021

9.22 Linear Feet
Abstract Or Scope
Composer Alvin Singleton was born on December 28, 1940 in Brooklyn, New York. He has composed music for theatre, orchestra, solo instruments, and a variety of chamber ensembles. The collection includes primarily musical scores, as well as audio recordings, clippings and other biographical materials, correspondence, photographs, programs, scrapbooks.

Serge Prokofiev Archive, 1917-2012

294 linear feet
Abstract Or Scope
Serge Prokofiev (1891–1953) was a Russian and Soviet composer, pianist and conductor, and seminal figure in the history of twentieth-century music. The Serge Prokofiev Archive (SPA) contains 58 original music manuscripts and over 10,000 letters and documents primarily from 1918-1936, the years Prokofiev spent in the West. The SPA also includes an expansive collection of music manuscript copies, published scores, concert programs, scholarly books and articles, photographs, and audio and video material, making it the premier research collection for studying Prokofiev's life, work and legacy.
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Peter Schickele Papers, 1874-2013, bulk 1955-2013

56.5 linear feet
Abstract Or Scope
Peter Schickele (1935-2024) was an American composer, music educator, and satirist. He was best known for his comedy pieces composed by the fictional character P.D.Q. Bach. The collection contains manuscript and engraved scores and parts, sketches, revised and annotated copies of Schickele's work. In addition, the collection contains scripts of dramatic pieces or spoken introductions, correspondence, and memorabilia.

Mario Lombardo Scores, 1972-2008

2.5 linear feet
Abstract Or Scope

A collection of seventy nine scores.

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Arthur Mitchell Collection, 1800s-2021, bulk 1934-2019

107 linear feet
Abstract Or Scope
Arthur Mitchell (1934-2018) was an American ballet dancer, choreographer, and founder and director of the Dance Theatre of Harlem. This collection contains materials related to his career as a dancer with the New York City Ballet, and his later professional work with the Dance Theatre of Harlem and others. The collection includes administrative records, appointment books, correspondence, invitations, notes, notebooks, photographs, posters, programs, and audio and video recordings.
2 results

Streetcar Named Desire (North), 1997, undated 2 folders Box 73, Folder 11-12

Jerome Moross papers, 1924-2018

70.25 linear feet
Abstract Or Scope

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.