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The architectural drawings found at "Natirar" at the time the property was acquired by Somerset County, in 2003, include those relating to the original designs by Guy Lowell and Henry J. Hardenbergh between 1910 and 1912, and those relating to the alterations and renovations made in the late 1940s under the direction of York and Sawyer. The drawings are organized by architect, which, in effect, also organizes the drawings by date ranges. Drawings that bear the names of various subcontractors have been organized by subcontractor but are filed with reference to the relevant principal architect. In addition to the drawings pertaining to "Natirar," the collection includes copies of three drawings by architect William Hanford Beers (1856-1932) of the "Gedney Farm" residence of Howard Willets and Mary Macy Willets at White Plains, New York, which was constructed circa 1898 (see photographs of the Willets residence in the July 1901 issue of The American Architect and Building News). William H. Beers' wife, Alice Macy, was a first cousin once removed to sisters Mary Macy Willets and Kate Macy Ladd.

Files of the company, 1911-1920, much of which consists of unsucessful architectural bid documents, each noting the architect, building, and location, as well as estimated costs, sketches, and related correspondents. These bid documents represent commissions not awarded to NYATCC, and do, in some cases, indicate the outcome of the bid. Architects represented include McKim, Mead & White; Cass Gilbert; George Post; D.H. Burnham & Company; Warren & Wetmore, Schwartz & Gross, and many others. Also includes correspondence and office memoranda, including some describing the formative years, 1911-1914, of the National Terra Cotta Society, trade catalogs, and job photographs. Also, two albums containing photographs of sample pieces of terra cotta, and month by month construction records for three buildings, including the American Theater (42nd Street, New York, 1892) by Charles Coolidge Haight; the Renaissance Apartments (Brooklyn, N.Y., 1889) and the Imperial Apartments (Brooklyn, N.Y., 1890) both by Montrose Morris.

This collection contains architectural drawings, photographs, business records and reference materials related to the projects and designs of Bertram Grosvenor Goodhue and his successor firm, Mayers, Murray & Philips, primarily in the New York City region. A large portion of the collection consists of personal and professional correspondence to and from Goodhue from the early 1900s until his death in 1926. Relatively few architectural drawings from his professional practice survive.