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This collection contains the correspondence, editorial files and office files of the Columbia University Press, primarily from its reorganization in 1923 by Frederick Coykendall to the present.

The Corporation awards grants to nonprofit organizations and institutions for projects that are broadly educational in nature and that show promise of having national or international impact. Certain appropriations are made for activities, such as Corporation-led initiatives that are administered by the foundation's officers. The trustees set the overall policies of the foundation and have final authority to approve all grants above $50,000 recommended by the program staff. Grants of $25,000 or less, called discretionary grants, are made upon the approval of the president and are reported to the board; larger discretionary grants, those between $25,000 and $50,000, are also reviewed by a Corporation-wide group, which makes recommendations to the president. (from Program Guidelines 2003-2004 (http://www.carnegie.org/sub/program/areas.html))

The collection consists of (1) A group of early materials written between 1903-1905, before Rank met Freud. This includes 4 daybooks, a notebook of dreams, a notebook of poems, the manuscripts of "Der Kunstler;" (2) Correspondence between Freud and Rank between 1906-1924, including the controversy over THE TRAUMA OF BIRTH. 40 a.l.s. from Freud and typed copies from Rank, with a few letters to and from Ferenczi (3) Copies and some originals of the circular letters by members of the inner circle, Ernest Jones, Abraham, Eitingon, Ferenczi, Rank and Freud, 1920-1924 (4) Original handwritten manuscripts, typed copies, notes and corrections of Rank's major works (5) Rank's own listing and comments on his writings and publications (to 1930) (6) Rank's published works--20 titles.

This collection contains materials either written or collected by Samuel Eilenberg, including original mathematics notes, books and article drafts and revisions, correspondence with fellow mathematicians, friends, art museums and collectors, photographs, and family, personal and legal documents spanning 1902 to 1996.

The collection is comprised mainly of black and white professional photographs of masks, figures, weapons, utensils, musical instruments, and other objects from Africa and Oceania. There is also a smaller amount of Northwest American Indian art. The objects were photographed individually or in small groups against a plain background. The photos are in their original order, organized by region and then by specific location, ethnic or cultural group, and/or type of artifact. A few photos have individual labels, but most are labeled only with a handwritten number on the backing paper. There is no corresponding guide to the numbering system. Wingert was an avid photographer and the photos were likely taken by him, but are not signed. The collection also contains articles and book drafts by Wingert, copies of published articles and books by Wingert and others, original pen and ink illustrations of objects, additional photographs and negatives that do not seem to be part of the photo file, and small amounts of correspondence and other documents.