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Letters and documents from eight members of the Medici family. All are from members of the younger branch of the family, most were written from Florence, and most are accompanied by English translations.

Files and records of Professor Cosenza, for his monumental work, BIOGRAPHICAL DICTIONARY OF THE ITALIAN HUMANISTS AND OF THE WORLD OF CLASSICAL SCHOLARSHIP IN ITALY, 1300-1800. Also, his notes on Petrarch, the Italian Renaissance, and the Italian Humanists.

Photostat copies of letters and documents relating to the appointment of Foresti as United States Consul at Genoa, to which the Sardinian government objected due to his activities in the struggle for the unification of Italy. Most of the correspondence is from Secretaries of State William L. Marcy and Lewis Cass to various foreign service officers (John B. Costa, John Moncure Daniel, Michael Guelfi, A. Herbemont) at the Genoa Consulate and in the Turin Legation. There are also some letters from Italian officials.

Part I of this collection contains 140 literary and political papers and documents relating to Venice and Venetian families from the 15th through 18th centuries. The material includes a group of the Busenello family papers which are largely wills, transfers of property, laudatory verses, and Latin prose (related to Dr. Livingston's LA VITA VENEZIANA NELLE OPERE DI GIAN FRANCESCO BUSENELLO, Venice, 1913); a series of moral and political sonnets in the Venetian dialect by Angelo Mario Labia (1690-1775); and a number of other documents and papers related to the Viscordi family and tne Venetian state.

This group of thirteen letters, one document, one signed card, fourteen portraits, and one portrait medal relates to six distinguished Italian patriots who were prominent in the unification of Italy in the 19th century. The collection includes one letter and one portrait of Count Camillo Benso Cavour (1810-1861); three letters and three portraits of Domenico Cirillo (1739-1799); two letters and two portraits of Giuseppe Garibaldi (1807-1882); one letter and one portrait of Giuseppe Guisti (1809-1850); six letters, one signed card, and six portraits of Giuseppe Mazzini (1805-1872); and one document, one portrait, and one portrait medal of Victor Emmanuel II of Italy (1820-1878). The letters are in many cases accompanied by transcriptions and translations as they are chiefly in Italian. The portraits are engravings and photographs.

This group of thirteen letters, one document, one signed card, fourteen portraits, and one portrait medal relates to six distinguished Italian patriots who were prominent in the unification of Italy in the 19th century. The collection includes one letter and one portrait of Count Camillo Benso Cavour (1810-1861); three letters and three portraits of Domenico Cirillo (1739-1799); two letters and two portraits of Giuseppe Garibaldi (1807-1882); one letter and one portrait of Giuseppe Guisti (1809-1850); six letters, one signed card, and six portraits of Giuseppe Mazzini (1805-1872); and one document, one portrait, and one portrait medal of Victor Emmanuel II of Italy (1820-1878). The letters are in many cases accompanied by transcriptions and translations as they are chiefly in Italian. The portraits are engravings and photographs.

Papers of Classics professor, Alan Cameron who taught at Columbia University between 1977 and his retirement in 2008. At the time of his death (July 31, 2017) he was the Charles Anthon Professor Emeritus of Latin and Literature at Columbia University. Materials in this collection include extensive correspondence files (including many with distinguished classicists), scholarly lectures, lectures given on cruise ships, course lectures, research files, unfinished and unpublished work, manuscripts for a book about Constantinople, CVs, memoirs and memorial materials.

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.