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Samuel and Bella Spewack papers, 1920-1980

67 linear feet
Abstract Or Scope

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

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Who's who in the American theatre records, 1941-1969

73 boxes
Abstract Or Scope

Correspondence; biographical forms; typescript biographical entries, often corrected and amended by the subjects; documents; proofs; memoranda; notecards; photographs; clippings of reviews; and other printed materials for the project with the working title "Who's Who in the American Theatre." The materials were assembled by Walter Rigdon, editor, and James H. Heineman, publisher, from 1963, when the first biographical forms were sent out, until 1969, when plans for a second edition were abandoned. The 1101 page volume which was published under the title "The Biographical Encyclopaedia & Who's Who of the American Theater" includes 3350 biographical entries for theater people and a necrology of 9000 names, playbills from 1959-1964, histories of theater buildings and theater groups, production records of Plays staged in New York since 1900, a theater bibliography of 600 entries, lists of awards, and lists of foreign productions. Among those for whom original materials were included are Truman Capote, John Dos Passos, Richard Eberhart, T.S. Eliot, Arthur Miller, Elmer RIce, and Virgil Thomson.

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