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New York City Opera records, 1924-2019, bulk 1965-1991

214 linear feet
Abstract Or Scope
New York City Opera (NYCO) was famously dubbed "The People's Opera" by Mayor Fiorello LaGuardia at its founding in 1943. The Opera company's mission is to inspire audiences with innovative and theatrically compelling opera at an affordable price. This collection documents the artistic productions and the daily administrative functions and operations attest to the mission of the company. The materials in this collection consist of administrative and financial records, production files, stage guides, scores, correspondence, programs, photographs, posters, scenery plans, memorabilia, printed materials, and audio and video recordings, dating from 1924 to 2019, with its bulk dating from 1965 to 1991.
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Constance Hope papers, 1931-1975

7.09 linear feet
Abstract Or Scope
The Constance Hope papers cover over 40 years of Hope's associations with hundreds of performers and chronicles her career in the field of artists' and commercial publicity.
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Morris Harold Saffron collection letters and manuscripts, circa 1700-1992

1 linear feet
Abstract Or Scope

Letters, manuscripts, printed ephemera and photoreproductions collected by Saffron. The collection reflects Dr. Saffron's two avocations: book collecting and the history of medicine. Of particular importance are three reels of microfilms of Hunterian manuscripts at the University of Glasgow Library. William Hunter (1718-1783) was a Scottish physician. In addition, there is an autograph signed manuscript by John Martyn titled "To the Author of the Grubstreet Journal" 1731-32; letters published in "The Grub-Street Journal" concerning Richard Bentley's edition of Milton; a letter from Stephen Phillips to [Sir Sidney Colvin]; and poetry of Emily Winthrop Miles

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Hector Berlioz papers, 1825-1994

27 linear feet
Abstract Or Scope

Correspondence, manuscripts, papers, essays, etc. relating to Berlioz, and 19th century arts and literature. The correspondence includes original Berlioz letters and over 200 copies of letters relating to Berlioz and the romantic era, written by musicians, critics, historians, and literateurs of the past century. There are many photostats of letters and manuscripts obtained from the principal libraries of the world which hold original Berlioz material. The collection includes much printed material in the form of music scores, published letters, essays, clippings, biographies, music and book catalogues, program notes, and playbills.

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