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Hugh Ferriss architectural drawings and papers, 1906-1980, bulk 1918-1960

440 drawings
Abstract Or Scope
Hugh Ferriss (1889-1962) was an architectural renderer known for his vision of the modern city and his ability to translate vast projects into dramatic but clear-cut images. Ferriss published two books: The Metropolis of Tomorrow (1929) and Power of Buildings (1953). The collection was donated to Avery Library by Ferriss' family after his death, and has been supplemented by several later additions from other sources. 363 original drawings in the collection have been photographed and digitized and can be viewed via links in the finding aid's container listing.
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Lever House architectural drawings, 1950-1953

60 drawings
Abstract Or Scope

Collection consists of sixty original architectural and furniture drawings for Lever House in New York City, drawn between 1950 and 1952. Most sheet are graphite on paper, with a smaller group of sepia diazo prints with extensive graphite annotations. All sheets were treated by a paper conservator and are now encapsulated in polyester film.

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William S. Brown manuscript on Skidmore, Owings & Merrill, 1979-1983

0.20 Linear Feet
Abstract Or Scope

An unpublished manuscript by William S. Brown titled "SOM: The Formative Years." The manuscript, a 400-page typescript with holograph annotations throughout, was written between 1979-1983. The manuscript is incomplete, missing various pages sections.

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Skidmore, Owings & Merrill photographs, 1945-1969, bulk 1945-1969

691 photographs
Abstract Or Scope

This collection primarily includes black and white and color photographic prints of approximately 100 buildings designed by the American architectural firm Skidmore, Owings & Merrill in locations throughout the United States, circa 1945-1969.

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Gordon Bunshaft architectural drawings and papers, 1909-1990, bulk 1950-1979

20 linear feet
Abstract Or Scope
Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.
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