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Records of literary agents Paul Revere Reynolds, founder of Paul R. Reynolds agency, and his son, Paul Revere Reynolds, Jr. The records consist of correspondence, contracts, scripts, and financial records. The files are rich in correspondence between authors and agents and provide important information about some of the most significant works published in the last seventy years.

Letters, manuscripts, notes, proofs, course materials, and printed matter. The letters are chiefly from his colleagues at Columbia University, other literary critics, a few publishers and, single letters from several American authors. There is a series of lengthy letters from Chase to his wife, Frances Marie Walker Chase, dated 1938 and 1949-1961; letters from his colleagues and friends to Mrs Chase, 1962-1967, mostly letters of condolence on Chase's death, and a few related to his publications. The manuscripts and proofs of his writings include typescripts on Herman Melville and Walt Whitman. Also included are notes on American and Englisgh literature, course materials for his Columbia courses, articles and reviews by him, articles, reprints and reviews by others, most of which are inscribed to Chase, and three dozen volumes of his own works, including foreign translations. In addition, there are 250 volumes from Chase's library, many with his annotations and marginalia. 1984 ADDITION: Letters from friends dealing with the contemporary literary world between 1948-1955. The main body of material is from Robert Willard Flint, a sometime poet and critic, who was a graduate student at Columbia in 1946 and later worked at the Harvard Library. 1986 ADDITION: Letters to Richard Chase from colleagues in the literary world, 1948-1971, with 2 letters to his wife after his death. 114 of these letters are from Robert Flint, 25 from Lionel Trilling, and 3 letters from Robert Penn Warren

Records of publisher W.W. Norton & Co, as well as the records of Boni and Liveright, Inc. and Horace Liveright, Inc.

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

Correspondence, manuscripts, notes, word lists, documents, photographs, clippings, periodicals, and other printed materials concerning his writings, translations, and criticism. Most of the manuscript drafts and notes are for his critical and analytical studies of Finnegans Wake and of other works by James Joyce.

The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

Correspondence, manuscripts, documents, notes, photographs, and printed material of Winter. The papers cover primarily the years after 1952 when she and Stewart settled in England to avoid involvement in the House Un-American Activities Committee investigations. Winter traveled widely in Russia, visited China in 1958, and spent nine months in Ghana in 1965. Her journeys are well documented in this collection. Among the manuscripts are drafts for many of her periodical articles, typescripts of her autobiography AND NOT TO YIELD, and articles written about her travels. Also, files on art, the labor movement in California, Robinson Jeffers, the McCarthy era, Lincoln Steffens, and Vietnam. There are numerous photographs taken on her trips abroad, including her work with the Friends of Austria, 1920, of many theatrical productions, and of her family and home. Because of her eclectic interests she was acquainted with many prominent individuals in politics, literature, theatre, and the arts. Among the major correspondents are Edward Albee, Charles and Oona Chaplin, W.E.B. Du Bois, Katharine Hepburn, Carey McWilliams, Kwame Nkrumah, Sean O'Casey, and Muriel Rukeyser.

The files of Curtis Brown, Ltd. literary agency include correspondence with authors, publishers, and other agents and deal with the editing and publishing of trade and textbooks, serial rights, reprints, dramatic rights, translations and foreign rights, promotion and copyright registration. For each author there are contracts, royalty statements, tax statements, and other financial materials. There is also a contract file, including cancellations and related correspondence, from 1914 to 1988. Among the cataloged correspondents are: Louis S. Auchincloss, W.H. Auden, Erle Stanley Gardner, Robert Graves, Ogden Nash, Ayn Rand, and Sloan Wilson.

Correspondence, manuscripts, documents, photographs and printed material. The editorial, publicity, and production files detail the publishing of some 450 titles, mostly from the 1970s and 1980s. Among the cataloged correspondents are: Woody Allen, Christy Brown, Claude Brown, Pearl S. Buck, William F. Buckley, Jr.; James T. Farrell, Leslie A. Fiedler, Jack Higgins, William Inge, Elia Kazan, Henry Miller, and J. B. Priestley. There are nineteen manuscripts, most with authorial or editorial corrections, as well as publicity photographs of Christy Brown, Claude Brown, Chester Himes, and Robert Oppenheimer, Jack Higgins et al