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Proposed Building of the Metropolitan Opera House / Benjamin W. Morris, Architect, 1926-1930
100 drawingsConsists of two framed renderings of the Proposed Metropolitan Opera house, one of the front elevation of the building and one of the interior perspective view of the Auditorium. In addition to the renderings, included are approximately 100+ photo stat and blueprint floor plans, site plans, and elevation drawings.
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Joseph Urban papers, 1893-1998
135 linear feetCollection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.
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Peter G. Davis Papers, 1912-2021, bulk 1948-2021
13 Linear FeetThis collection contains the papers of Peter G. Davis (1936-2021), who worked as a classical music critic at various national and specialist publications from 1962-2018. It includes the vast majority of Davis's writings on music (published or draft), along with print material relating to these writings, Davis's compositions (1957-1964), material relating to Davis's early education (1948-1959), and correspondence and interviews with a number of major classical musicians.
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Benjamin W. Morris architectural drawings, 1893-1936
3 sketchbooksThree sketchbooks; the first, 1893-1894, containing sketches from his student years at the Columbia School of Mines, Department of Architecture (he received his degree in 1894); the second, 1894-1896, containing sketches made as a student at the Ecole des Beaux-Arts in Paris; and the third, circa 1896-circa 1905, containing sketches for a variety of projects and designs. Buildings and other structures depicted include the Academy of Music on 14th Street, New York City (a seating plan); Wells Fargo Bank Building, Portland, Oregon, 1910; Reunion Hall, Princeton University, 1902; lantern for the Aetna Building, Hartford, Connecticut; Woodland Street entrance to Kinney Park, Hartford, Connecticut, 1905 (some drawings are by others). Program notes from the classes of Paul Blondel and J. Gaudet at the Ecole des Beaux Arts are included. Also, designs (some done in partnership with Joseph Urban) for proposals for the Metropolitan Opera Company on various sites in New York City, circa 1920s; and designs for shopping and music centers in New York City, to 1936.
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Desmond Heeley papers, 1884-2018, bulk 1946-2016
32 Linear FeetTwo-time Tony-award winner Desmond Heeley (1931-2016) was a British-American costume and set designer who worked primarily in theater, ballet, and opera. His productions have graced the stages of major theaters in the United Kingdom, Canada, the United States, Australia, and Europe, including the Royal Opera House, the Metropolitan Opera, Houston Ballet, the National Ballet of Canada, Australian Ballet, and the Stratford Festival in Ontario. This collection contains Heeley's sketches and designs, along with production documents, photographs, correspondence, audio recordings, and other memorabilia relating to his life and work.
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Eleanor Belmont Papers, 1851-1979
33 linear feetBelmont (1878-1979) was an American actress and a prominent public figure. The collection includes correspondence, subject files, and personal materials.
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New York City Opera records, 1924-2019, bulk 1965-1991
214 linear feetNew York City Opera (NYCO) was famously dubbed "The People's Opera" by Mayor Fiorello LaGuardia at its founding in 1943. The Opera company's mission is to inspire audiences with innovative and theatrically compelling opera at an affordable price. This collection documents the artistic productions and the daily administrative functions and operations attest to the mission of the company. The materials in this collection consist of administrative and financial records, production files, stage guides, scores, correspondence, programs, photographs, posters, scenery plans, memorabilia, printed materials, and audio and video recordings, dating from 1924 to 2019, with its bulk dating from 1965 to 1991.
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