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The material in this collection was originally housed in binders in Barney Rosset's New York apartment, and cover his personal and professional endeavors as a radical publisher, intellectual, and overall man of letters. It consists of writings, letters, photographs, interviews, films, catalogs, publishing files related to both Grove Press and Evergreen Review, and extensive biographical information on Rosset. The entire collection has been rehoused into archival quality boxes and folders. Each binder had been labeled, generally with some sort of topical or chronological designation. In most cases the binder labels will be retained as file titles, and the subdivisions within binders have become folders and retained, to a great extent, the titles assigned to them by the creator. In some cases the staff of the RBML altered or elaborated on existing folder titles for general clarity and ease of research. In some cases, the collection contains both original and typed (or transcribed) copies, the latter often taking the form of computer printouts that were originally held in binders marked "Master" or "Master Disk" to indicate their contents were on computer disks. These original binder titles have been kept throughout the finding aid.

Schuster's correspondence including letters from authors Bernard Berenson, Will and Ariel Durant, Max Eastman, Nikos Kazantzakis, Max Lerner, Henry Miller, Bertrand Russell, and Louis Untermeyer; advertisements and other material relating to Pocket Books, Inc. which was owned by Simon & Schuster; and an author and title file containing correspondence, comments, and reviews of Simon & Schuster publications, and miscellaneous notes, clippings, photographs, manuscripts, and printed material.

Correspondence, manuscripts, diaries, radio, television, and film scripts, notes, subject files, documents, financial records, photographs, memorabilia, clippings, and printed materials. Grauer's voluminous professional, personal, and family correspondence reflect his many and varied interests in radio, television, motion pictures, sound recordings, journalism, book collecting, printing, the graphic arts, and travel. Among the significant correspondents there are 43 letters from Henry Miller, 26 letters from Eric Partridge, and ten letters from Bruce Rogers. There are numerous single letters from public figures and celebrities, many written to the author, Quentin Reynolds, who organized Grauer's 25th Anniversary in Broadcasting in 1950. Among these are George Abbott, Agnes de Mille, Samuel Goldwyn, John Hersey, Bob Hope, Lauritz Melchior, Edward R. Murrow, Anaïs Nin, David Sarnoff, and Thornton Wilder. There are thousands of letters from fans, friends, and family, including Grauer's wife Melanie Kahane, the interior decorator. b The manuscripts consist of early writings; radio, television, film, and sound recording scripts with related notes and correspondence; speeches; periodical articles; and several book manuscripts. The majority of the Scripts File are for NBC productions, but also included are scripts for the Voice of America, commercials, films, and records. Among Grauer's many "firsts" in broadcasting are the first live report of Count Folke Bernadotte's assasination, the first radio show to present cash prizes ("Pot 'o Gold"), and NBC television's first live news event, the opening of the 1939 New York World's Fair. The Activities File documents Grauer's presence in broadcasting, book collecting, printing and the graphic arts, travel, including the promotion of the Pan American Highway, and his membership in countless organizations. There are more than 3,000 photographs documenting his career from his years as a child actor through the more than 40 years he was associated with NBC. He was photographed with the famous men and women of his generation whose activities he covered on the air. The Publicity File contains newspaper and periodical clippings on his career. Also included is one audio tape recording of "Salute to Ben Grauer" Nov. 15, 1950, an off the air recording

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

The editorial and production files of Pantheon Books from 1944 through 1968. The correspondence from authors, agents, and publishers is written to Kurt and Helen Wolff, Jacques Schiffrin, André Schiffrin, and the editors of the firm. The files document the publication of works by A. Alvarez, Georges Bernanos, Hermann Broch, Jacob Burckhardt, Albert Camus, William Demby, Eugene Ionesco, Karl Jaspers, Winifred Bryher, Jacques Maritain, Isamu Noguchi, José Ortega y Gasset, Pier Paolo Pasolini, Sir Herbert Read, Ben Shahn, and others.

Writers represented in the correspondence files are Margaret Anderson, Sherwood Anderson, George Antheil, Djuna Barnes, Clive Bell, Malcolm Cowley, E.E. Cummings, John Dos Passos, Ford Madox Ford, Ernest Hemingway, Richard Hughes, Eugene Jolas, Archibald MacLeish, H.L. Mencken, Henry Miller, Adrienne Monnier, Man Ray, Elmer Rice, Jules Romains, Gertrude Stein, John Steinbeck, Allen Tate, Carl Van Vechten, Robert Penn Warren, and Edmund Wilson. Galantiere's best known work as a translator was that of the writings of Antoine de Saint-Exupéry, and the collection contains in addition to correspondence, twelve manuscripts, all bearing the author's and the translator's corrections. He also wrote extensively on economic subjects and current history, and these files and manuscripts are present in the collection. Galantiere wrote plays in his own name and adapted Jean Anouilh's ANTIGONE for Katharine Cornell in 1946, and there are materials relating to these works.