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Letters to and from Nicolai Berezowsky documenting his career and covering his development as violinist, conductor, and composer. The profession is well represented in the correspondence, with 63 letters from David Diamond, 22 from Serge Koussevitsky, 72 from Nicolai Lopatnikoff, and 31 from Eugene Ormandy; others in the collection are Leon Barzin, Aaron Copland, Henry Cowell, Vladimir Golschmann, Eugene Goosens, Alex Grechaninov, Ernest Hutcheson, Douglas Moore, Paul Nordoff, Wallingford Riegger, Artur Rodzinski, Roger Sessions, Harold Spivacke, Leopold Stokowski, and Olga Samaroff Stokowski. Organizations, such as the WPA music program, League of Composers, Juilliard School of Music, and the American Society of Composers, Authors, and Publishers, are represented. There are also 15 volumes of music scores.

Correspondence and other documents relating to the Paris Peace Conference, League of Nations, and Locarno Pact with which Prof. Shotwell was associated. There is material relating to Shotwell's THE ECONOMIC AND SOCIAL HISTORY OF THE WORLD WAR, as well as to his other writings.

Correspondence, manuscripts, papers, essays, etc. relating to Berlioz, and 19th century arts and literature. The correspondence includes original Berlioz letters and over 200 copies of letters relating to Berlioz and the romantic era, written by musicians, critics, historians, and literateurs of the past century. There are many photostats of letters and manuscripts obtained from the principal libraries of the world which hold original Berlioz material. The collection includes much printed material in the form of music scores, published letters, essays, clippings, biographies, music and book catalogues, program notes, and playbills.

Correspondence, manuscripts, typescripts, contracts, legal briefs, patents, and other documents, music scores, cartoons, technical drawings, account books, blueprints, photographs, clippings, printed legal briefs & transcripts, proofs, scrapbooks, and other printed materials of William M. Speer.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.