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Ruth Nanda Anshen papers, 1938-1986

16.8 linear feet
Abstract Or Scope

Correspondence with many well known authors and scientists, correspondence with publishers, contracts, and other materials dealing with the many series of books which she has organized. Dr Anshen has edited over one hundred works in fields ranging from physics and biology to philosophy, education, psychology, and esthetics. Her series - WORLD PERSPECTIVES (Harper), RELIGIOUS PERSPECTIVES (Harper), CREDO PERSPECTIVES (Pocket Books/Simon & Schuster), THE SCIENCE OF CULTURE SERIES (Harcourt, Brace), PERSPECTIVES IN HUMANISM (World Pub. Co.), and THE TREE OF LIFE SERIES - have been concerned with new trends in scientific thought and the mutual intelligibility of the various arts and sciences. A new series, CONVERGENCE (Columbia University Press), was started in 1981 dealing with ideas that changed, or that are changing the world. Books from the various series are also included. There is also personal material of Dr Anshen and her family.

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Robert Halsband papers, 1708-1976

46 linear feet
Abstract Or Scope

Personal and professional papers including correspondence, manuscripts, documents, diaries, journals, photographs, and printed materials relating to his teaching at various universities, his literary studies and writings, and his professional activities in such organizations as the Moder Language Association and P.E.N. His correspondents include contemporary authors such as Edmund Blunden, Christopher Hassall, Louis Kronenberger; scholars such as James P. Clifford, Leon Edel, and A.L. Rowse. There are also some letters collected by Halsband, including those by Mrs Piozzi, John Wilkes (1727-1797) and John Stuart, 3rd Earl of Bute (1713-1792). Among the manuscripts are notes, drafts, typescripts, and proofs of his LIFE OF LADY WORTLEY MONTAGU (Oxford, 1956) and COMPLETE LETTERS OF LADY MARY WORTLEY MONTAGU (Oxford, 1965-1967). Also, manuscripts and typescripts of Halsband's diaries, journals, lectures, articles, book reviews, and essays. The printed materials include ephemera, books, and offprints by Halsband and books by other authors inscribed to him. There is a watercolor portrait of Halsband by Stephen Andrews, London, ca. 1966.

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