Search

A collection of correspondence, typescripts, proofsheets, pamphlets, periodicals, and memorabilia by or relating to Sir Winston Churchill. Included are files of Daniel Longwell, editor of LIFE from 1946 to 1954, dealing with the serialization of A HISTORY OF THE ENGLISH SPEAKING PEOPLES and TRIUMPH AND TRAGEDY in LIFE. Accompanying the collection is a group of approximately 350 books by or about Churchill. Many are first editions or inscribed copies.

This collection contains approximately 5100 drawings, including preliminary design drawings and unbuilt studies, presentation drawings, and working drawings, for more than 100 individual projects designed by Philip Johnson, some in collaboration with John Burgee. Locations include the United States, Canada, France, Germany, Israel, and Venezuela. Major commissions included in this collection are the Glass House in New Canaan, CT; the New York State Pavilion for the 1964 World's Fair, Queens, NY; the New York State Theater at Lincoln Center, NYC; Asia House, NYC; the H.L. Moses Building at Montefiore Hospital, Bronx, NY; the master plan for Welfare Island, NYC; the Munson-Williams Proctor Institute, Utica, NY; the Amon Carter Museum, Fort Worth, TX; and buildings for Sarah Lawrence College, Seton Hill College, the University of St. Thomas, and Yale University. Also of note in this collection are many presentation renderings by Helmut Jacoby and other architectural renderers. A subset of this collection includes drawings created for the 1996 monograph on Philip Johnson by Peter Blake.

The collection contains correspondence, memoranda, drafts, committee meeting reports, speeches, calendars, etc. of Grayson L. Kirk, former Columbia University President. Also included are books from his library. There are also materials deemed by the Office of the President staff as "personal," meaning not directly related to Columbia University. These included the records of the Jacob R. Schiff Charitable Trust and the New York World's Fair 1964-1965.

This image collection consists of one black leather album containing 105 archive-quality 5x7 inch historic photos (of which 90 are manually darkroom-produced, black-and-white enlargements, mainly from negatives) depicting Columbia College student life and related current events during 1963-1965, plus photo captions totaling about 1,800 words. Also 4 CDs totaling 39 digitally reproduced color and B&W images.

This collection contains materials related to a full range of Blake's personal, professional, and academic lives. The bulk of the collection dates from the 1980s through the early 2000s. His professional and faculty papers document many of his interests, and primarily include published and unpublished lectures and articles. Although Blake delivered his lectures at various architectural schools in the United States and abroad, the specific locations of the lectures are not usually recorded on the documents. In addition, many articles he wrote for publication appear as annotated typescripts. There are also significant papers related to publication of his memoir No Place Like Utopia (Knopf, 1993), including correspondence and some production records. Throughout the professional and faculty papers are also found a large number of reference files relating to modern architecture, art, design, urbanism, technology, and current events, compiled over many decades. The collection also contains correspondence with personal friends, clients, and professional and academic colleagues. There is an especially significant amount of correspondence and clippings related to Patwant Singh, a Sikh writer, commentator, journalist, editor, and publisher, with whom Blake was a close friend. There are also many materials including correspondence, typescripts, and book production records related to Philip Johnson and Paul Rudolph, with whom Blake was also close. Architectural project records include original and reprographic drawings and photographs for 40 residential and institutional designs, located primarily in New York City and the surrounding region. Of particular note are drawings and papers related to Blake's important Pin Wheel House (1954) in Water Mill, New York. In addition, there are drawings related to the American National Exhibition in Moscow (1959). Finally, there is a significant number of drawings, photographs, and correspondence related to the Benjamin Gerson Residence (1999-2003) in Johnsonburg, New Jersey, one of Blake's last architectural projects.