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Alice Montgomery Lawrence papers, 1874-1935

6.5 linear feet
Abstract Or Scope

Correspondence, programs, clippings, and other theatrical memorabilia relating the the careers of Alice and Rita Lawrence.

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Milton Smith script collection, 1927-1946

575 items
Abstract Or Scope

Scripts of plays that were presented during Smith's tenure as Director of the Brander Matthews Theater. Also, ca. 400 loose scrapbook leaves of mounted clippings, programs, and other memorabilia relating to the various theatrical productions with which Smith was associated. Many of these productions were produced by Columbia Theatre Associates.

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Louis Vincent De Foe papers, 1892-1922

10.5 linear feet
Abstract Or Scope

Collection contains typed manuscripts of Louis DeFoe's DAYBOOK OF A CRITIC and THE THEATRE THROUGH A CRITIC'S EYES. Included is a scrapbook of Mr. DeFoe's columns for the CHICAGO TRIBUNE. Also included are 56 scrapbooks of theatre clippings.

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Seymour B. Durst Old York Library collection of theatre programs, 1880s-1980s, bulk 1880-1994

5 linear feet
Abstract Or Scope

Arranged alphabetically by Theatre name, the collection is made up of over 700 theatre programs and Playbills; included are some of the most prominent productions in the New York area during the 20th century. Often included in the programs are seating charts for specific theatres.

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Columbia Theater Associates, 1893-1958

6 Linear Feet
Abstract Or Scope

Correspondence, scripts, slides, scores, set designs, prompt books, scrapbooks, costume designs, programs, playbills, broadsides, clippings, fliers, photographs, announcements of forthcoming productions, clippings, and related materials. Columbia University theatrical groups include The Columbia Laboratory Players, The Columbia College Dramatic Group, The Wigs and Cues, The Summer Session Classes in Play Production, The Morningside Players, and the Columbia Theatre Associates which superseded all the preceding groups. There is an extensive file on the Columbia Laboratory Players; including production files that document the various stages involved in putting together a dramatic production. In addition there are typewritten scripts representing the spectrum of plays that were produced over the Lab's active years. There are photographs of only a few specific plays. Non Lab materials relate to Rehersal Course productions, a Columbia English Department course that was closely affiliated with the Lab players

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Daly's Theater records, 1872-1899

1 linear feet
Abstract Or Scope

This collection consists of ten volumes of business records connected with the operation of Daly's Theatre between 1872 and 1899. Included are cash account books recording income and expenditures, rosters of personnel, attendance books for members of the company, salary accounts, receipt books, and one volume having to do with directions for the settings for various plays.

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Hugh Ferriss architectural drawings and papers, 1906-1980, bulk 1918-1960

440 drawings
Abstract Or Scope
Hugh Ferriss (1889-1962) was an architectural renderer known for his vision of the modern city and his ability to translate vast projects into dramatic but clear-cut images. Ferriss published two books: The Metropolis of Tomorrow (1929) and Power of Buildings (1953). The collection was donated to Avery Library by Ferriss' family after his death, and has been supplemented by several later additions from other sources. 363 original drawings in the collection have been photographed and digitized and can be viewed via links in the finding aid's container listing.
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New York City Opera records, 1924-2019, bulk 1965-1991

214 linear feet
Abstract Or Scope
New York City Opera (NYCO) was famously dubbed "The People's Opera" by Mayor Fiorello LaGuardia at its founding in 1943. The Opera company's mission is to inspire audiences with innovative and theatrically compelling opera at an affordable price. This collection documents the artistic productions and the daily administrative functions and operations attest to the mission of the company. The materials in this collection consist of administrative and financial records, production files, stage guides, scores, correspondence, programs, photographs, posters, scenery plans, memorabilia, printed materials, and audio and video recordings, dating from 1924 to 2019, with its bulk dating from 1965 to 1991.
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Joanna Wan-Ying Chan papers, 1970-2020

20 Linear Feet
Abstract Or Scope
The Joanna Wan-Ying Chan papers (陳尹瑩檔案) document the tale of a Hong Kong native, a US immigrant, a Maryknoll sister, and ultimately an artist and a trail-blazing playwright and stage director in Chinese-American theatre as well as Cantonese-language theatre in Hong Kong. The collection consists of Joanna Chan's personal materials as well as the records for three theatrical repertories: Four Seas Players, Yangtze Repertory Theatre of America, Hong Kong Repertory Theatre, dating from 1970-2020. Also included are files related to her collaborative and inspiring work and involvement in the Sing Sing Rehabilitation Through the Arts (RTA) program, dating from 2001-2020. The highlight and the bulk of the collection is in Series IV: Production Files, which focuses on the creative theatrical productions directed and produced by Joanna Chan.
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