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Gerald Strauss Olympian Literary Magazine collection, 1960-2023

0.21 Linear Feet
Abstract Or Scope

Correspondence between Gerald Strauss (faculty advisor for Bloomsburg State College student literary magazine) and mid-century American poets, including Robert Bly, Patrick Bowles, John Ciardi, Henri Coulette, William Dickey, Donald Finkel, Thom Gunn, Donald Hall, Michael Hamburger, Robert Huff, Donald Justice, X. J. Kennedy, Philip Levine, Sean Lucy, Howard Moss, Howard Nemerov, David Ray, Alan Stephens, Charles Tomlinson, David Wagoner, Richard Wilbur.

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William Michael Rossetti letters, 1879-1887

31 items
Abstract Or Scope

Copies of Rossetti's letters to Mrs. Anne Gilchrist and her son, Herbert, regarding Walt Whitman and the Whitman Testimonial Fund.

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American Poets' Corner Archive, 1984-1996

1.68 Linear Feet
Abstract Or Scope
Poets Corner is an ongoing cultural tradition important to the Morningside neighborhood as well as the commemoration of a range of American writers, not limited to NYC, but brought together under the aegis of a national cultural canon.
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Robert Grenier papers, 2003-2004

.5 linear feet
Abstract Or Scope

Collection contains ten notebooks of color drawing poems dating from late 2003 and early 2004.

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Nathaniel Parker Willis letters, 1825-1830

1 Volumes
Abstract Or Scope

Letters from Willis to George James Pumpelly. The correspondence is mostly written from Boston and only one letter is actually dated with the year by Willis. The letters are very personal in character, giving a rather full account of the young poet's activities, particularly his affairs of the heart, and the editing of a magazine. Also, there are two promissory notes, 1839, 1842, written by Willis for sums to be paid to Pumpelly.

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Elsa Dorfman papers, 1960-1969

1 box
Abstract Or Scope

Letters to Elsa Dorfman from "beat" poets including Allen Ginsberg, Philip Whalen, Frank O'Hara, Edward Field, and Robert Creeley. Included are 14 poems by Elsa Dorfman with critical comments by Allen Ginsberg.

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Edna St. Vincent Millay papers, 1928-1941

3 boxes
Abstract Or Scope

Letters written by Millay as well as manuscripts, proofs, documents, photographs, reviews and clippings relating to her books published at Harper & Brothers such as "Conversation at Midnight," "Wine from these Grapes," "Collected Sonnets," and others. The papers consist of materials from the files of the designer Arthur W. Rushmore who was in charge of production at Harper & Brothers and was the proprietor of the Golden Hind Press which printed limited editions of several of her works. Included are proofs of the above works with annotations and corrections by Millay and Rushmore and a carbon typescript of "Wine from these Grapes." There are also a number of clippings of poems published separately in periodicals. Other correspondents include Millay's husband, Eugen Boissevain, and George Dillon, with whom Millay translated Baudelaire's "Flowers of Evil" and Selected Poems." Also in the collection are the production files for the aborted Steepletop edition of "The Buck in the Snow."

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E. E. Cummings correspondence and drawings, 1922-1969

0.5 linear feet
Abstract Or Scope

A collection of letters written to Frederick W. Dupee and George Stade in connection with their work as editors of THE SELECTED LETTERS OF E.E. CUMMINGS, published in 1969. There are letters from numerous friends and associates of Cummings, including Kenneth Burke, Malcolm Cowley, Marion Morehouse Cummings (Mrs. E.E. Cummings), John Dos Passos, Max Eastman, Marianne Moore, and Allen Tate. Also, 24 drawings by E.E. Cummings dating from the 1920 and 1930s.

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Gregory Corso papers, 1949-1996

5 linear feet
Abstract Or Scope
Includes published and unpublished writings, artwork, correspondence, and sound recordings created by or related to the Beat poet Gregory Corso.
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Edgar Lee Masters papers, 1910-1942

1 box
Abstract Or Scope

Manuscripts and correspondence of Masters. Two manuscripts"An Etching" and "Starved Rock in Winter" are in the author's holograph, while the remaining 29 are in typescript, most of which are signed by the author or inscribed to his friend Kimball Flaccus. With the exception of the manuscript of "An Etching" dated 24 October 1910, all of the manuscripts date from the 1940 to 1942 period of the writer's career. Eight of the manuscripts were published in the poet's last two volumes of poetry, ILLINOIS POEMS (Prarie City, 1941) and ALONG THE ILLINOIS (Prairie City, 1942), and the remaining poems are apparently unpublished or uncollected. The collection also contains four letters and several pieces of printed ephemera.

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