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Seven letters: two from Ralph Waldo Emerson, and one each from James Russell Lowell, Edward Everett, Charles W. Eliot, Charles E. Norton, and Charles Scribner. They are concerned with publishing matters such as returning proofs and forwarding manuscripts.

A sample collection of the uniformly bound, uniformly priced, pocket books he published in the early decades of the twentieth century.

Typescript carbons of the reminiscences and memoirs of men and women prominent in American life including agriculture, art, book publishing, business, diplomacy, education, journalism, jurists, literature, labor movement, medicine, military history, New York City politics, and special projects such as the Eisenhower Administration, the Marine Corps, popular arts, the radio industry, and social security recorded on tape by the person concerned.

Letters written to Loveman from Leonard Bacon, Charlotte Bassett, Herschel Brickell, Hermann Broch, Witter Bynner, Carl Carmer, George Catlin, Mary Ellen Chase, George Dangerfield, Marcia Davenport, Babette Deutch, John Gould Fletcher, Ellen Glasgow, George S. Hellman, Gilbert Highet, and M.A. De Wolfe Howe.

Letters written to Huebsch, most of which relate to the books presented to him by various authors. There are letters from H.E. Bates, Richard Curle, Edward Garnett, Mitchell Kennerley, Wyndham Lewis, Sean O'Faoláin, Siegfried Sassoon, and Sidney Webb. Also, a box of printed materials by and relating to Huebsch.

Letters to Fletcher, including four letters from Richard Hughes, and twenty-five from Dorothy Leigh Sayers, mostly about the Dante editions which she bought from the Fletchers; seven letters from Samuel Beckett; and letters from the Sitwell brothers primarily concerning items purchased from the Fletchers: Osbert, 142 letters and postcards concerning books purchased, and Sacheverell, 168 letters concerning music covers, engraved writing paper, costume and ballet drawings, etc. purchased as well as books. Also, twenty-one letters and post cards from Eric Gill, who designed and printed a wedding announcement for Mr. Fletcher; and eighteen letters from Will Ransom, dealing with American and English publishers and bookdealers.

Correspondence, memoranda, contracts, royalty statements, manuscripts, diaries, daybooks, photographs, and printed material of Strassman. The correspondence is with authors and book and magazine publishers, covering nearly forty years of Strassman's career as a literary agent. Of particular interest are the files concerning the works of William Goyen, Harry Mark Petrakis, and Friderike Zweig, the first wife of Stefan Zweig.

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials