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Harold Brown Scores, 1929-1979

0.42 Linear Feet
Abstract Or Scope
Scores and parts, two letters, and biogrphical information
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Thomas L. A. Dotton papers, 1968-1969

1 box
Abstract Or Scope

A group of letters to writer Thomas Dotton from Alexander Lloyd, Floyd Barbour, Paul Blackburn, L. Draper Hill, Jr., Archibald MacLeish, Pierre Oster, Ned Rorem, and Ivan Sandrof, and galley proofs for James Baldwin's TELL ME HOW LONG THE TRAIN'S BEEN GONE.

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Peter G. Davis Papers, 1912-2021, bulk 1948-2021

13 Linear Feet
Abstract Or Scope
This collection contains the papers of Peter G. Davis (1936-2021), who worked as a classical music critic at various national and specialist publications from 1962-2018. It includes the vast majority of Davis's writings on music (published or draft), along with print material relating to these writings, Davis's compositions (1957-1964), material relating to Davis's early education (1948-1959), and correspondence and interviews with a number of major classical musicians.
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Interviews from Paul Goodman Changed My Life (2011), 2004-2006

750 Gigabytes
Abstract Or Scope

Interviews from Paul Goodman Changed My Life (2011) contain 37 unedited, full-length interviews conducted between 2004-2006 with individuals, each of whom had an important connection to Paul Goodman at one point in their lives. The interviewees are from a range of fields, including Ned Rorem, Grace Paley, Noam Chomsky, Morris Dickstein, Richard Flacks, Sally, Susan and Daisy Goodman (Paul's widow and two daughters), Vera Williams, Jacqueline Gourevitch, and Nicholas von Hoffman. The interviews were later edited to produce the documentary film "Paul Goodman Changed My Life", produced and directed by Jonathan Lee, produced and edited by Kimberly Reed, photographed by Benjamin Shapiro, and distributed by Zeitgeist Films in 2011.

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Jerome Moross papers, 1924-2018

70.25 linear feet
Abstract Or Scope

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

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