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Robert Joseph Flaherty papers, 1884-1970

80 boxes
Abstract Or Scope

Professional and personal papers of Robert J. Flaherty and of his associates Frances Hubbard Flaherty and David Flaherty, concerning his career as an explorer in the Hudson Bay area, and as a film-maker from 1913 until 1951. The collection includes correspondence, diaries, financial records, scripts, publicity materials, his books, short stories, and articles and stills from his films including NANOOK OF THE NORTH (1922), MOANA (1925), MAN OF ARAN (1934), ELEPHANT BOY (1937), THE LAND (1941), and LOUISIANA STORY (1948). Also, files of the Robert Flaherty Foundation, including the later personal papers of Flaherty's wife, Frances Hubbard Flaherty.

3 results

H. Lawrence Freeman papers, 1870-1982, 2015, bulk 1890-1954

35 linear feet
Abstract Or Scope
The original scores, clippings, correspondence and ephemera in this collection document the lives and careers of Harry Lawrence, Carlotta, and Valdo Freeman, a family of African-American performing artists involved in opera, theatre, and music in early-twentieth-century New York.
3 results

Series V: Writings of H. Lawrence Freeman, 1921-1940s

Preston Gibson papers, 1903-1920

2 linear feet
Abstract Or Scope
A collection of the writings and personal papers of Preston Gibson (1880-1937), a playwright and prominent society figure.
3 results

Series III: Plays, 1903-1920

Ford Foundation International Fellowships Program records, 2000-2013

423 linear feet
Abstract Or Scope
The Ford Foundation International Fellowships Program (IFP) offered fellowships for post-graduate study to leaders from marginalized communities in Asia, Africa, Latin America, the Middle East, and Russia from 2001-2013. Paper, digital, and audiovisual materials document the planning and administration of the program, as well as the selection, placement, and monitoring of over 4,300 Fellows that participated in the program. The records document a unique educational model that linked access to higher education, international development, and social change.

Center for US-China Arts Exchange records, 1956-2019, bulk 1977-2003

102 Linear Feet
Abstract Or Scope
This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.
1 result

The Makino Mamoru Collection on the History of East Asian Film, 1863-2015, bulk 1920s-1990s

370.11 linear feet
Abstract Or Scope
Over the course of fifty years, the former documentary filmmaker Makino Mamoru (1930-) developed an extensive collection on the history of East Asian film, which covers the history of Japanese cinema spanning over a hundred years. The collection as a whole contains approximately 80,000 items, and focuses on print materials. The materials cover various film events and festivals across multiple genres of films: experimental films, educational films, documentary films, news films, amateur films, and animated films, among many others. The collection contains books, correspondences, handbills, magazines, manuscripts, newspapers, notes, photographs, postcards, posters, scripts/scenarios, slides, glass plate negatives, video cassettes, and other printed materials.
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Subseries V.14: Scenarios, Published Scenarios, 1938-1978

Series V: Scenarios, 1923-1986

James O. Brown Associates records, 1927-1992

231 linear feet
Abstract Or Scope

The files of the literary agency include correspondence with authors, publishers, and other agents and deal with editing and publishing, serial rights, reprints, dramatic rights, translations and foreign rights, promotion, copyright registration, contracts, royalty statements, tax statements, and other financial materials, and the personal affairs of many clients. Among the cataloged correspondents are: Louis S. Auchincloss, Erskine Caldwell, Herbert Gold, Alberto Moravia, Eleanor Roosevelt, and Rebecca West.

1 result

Oscar James Campbell papers, 1914-1964

11.43 linear feet
Abstract Or Scope
This collection contains correspondence, manuscripts, and lecture notes relating to Oscar James Campbell, professor of English Literature at Columbia University.
1 result

Selected Scenarios - some translated Box 26, Folder 8

Andrew Sarris papers, 1945-1988, bulk 1965-1985

20.42 linear feet
Abstract Or Scope
The Andrew Sarris Papers are comprised of correspondence, drafts and manuscripts, clippings, printed ephemera, periodicals, monographs, photographs, and audio recordings related to the career and personal life of renowned film critic Andrew Sarris. The materials span several decades, from the inception of his career as a film critic and theorist in the mid-1950s to the last years of his long tenure at The Village Voice in the late 1980s..

Theodore Richards Conant Collection, 1949-2010, bulk 1953-2000

76 Linear Feet
Abstract Or Scope
The Theodore Richards Conant Collection documents the life and film making career of Theodore Richards Conant, dating from 1949 to 2010, with the bulk of the materials dating from 1953 to 2000. The focus of the materials is on the Korean War, Korean culture and society. Materials in the collection consist of his personal papers and a substantial amount of audiovisual materials related to the documentary films created and/or collected by him during his career. The personal papers consist of clippings, ephemera, correspondence, scenarios, notes, catalogs, journals and other unique items. The photographs in the collection document Korea's political and cultural aspect, as well as Conant's work in Korea as a film producer while working in the UN Korean Reconstruction Agency (UNKRA). The audiovisual materials are the documentaries directed and filmed by Conant, related to the Korean War, Korean society and culture.
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