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Robert M. Morgenthau papers, 1944-2019

190 Linear Feet
Abstract Or Scope

Robert M. Morgenthau (1919-2019) served as the District Attorney for New York County (the borough of Manhattan) for 35 years (1974-2009) and made a reputation for prosecuting white-collar crime. In this regard, the Papers hold many research files covering such aspects of white-collar crime as money laundering, offshore banking and tax havens. Morgenthau rarely handled a case himself. He delegated prosecutions to key aides in his office of 500 lawyers. Although not comprehensive, the Papers do contain a few files of assignment sheets covering the period (1938-2008). These sheets indicate which bureau each Assistant District Attorney was assigned to each month. The Papers, in turn, do not have any employment information about individual lawyers or the specific cases they worked on while employed in the Manhattan District Attorney's Office under Morgenthau. However, researchers should review "Series VI: Press Releases" and "Series VIII: Statements and Testimonies before Local, State and National Governmental Bodies," in order to gain an understanding of the issues handled by the Manhattan DA office during Robert Morgenthau's tenure.

Samson Raphaelson papers, 1916-1982

19.5 linear feet
Abstract Or Scope

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

3 results

Peter G. Stafford papers, 1960-1971

49 boxes
Abstract Or Scope

Papers of Stafford, reflecting a wide interest in psychedelic drugs, other drugs, and all aspects of the youth culture of the 1960s. Among the manuscript materials are drafts for chapters in his books, case histories, some correspondence, and materials showing the workings of the underground press. There are clippings, pamphlets, and books of both technical and popular interest.

1 result

Thomas Whiteside papers, 1839-1995, bulk 1952-1992

29 linear feet
Abstract Or Scope
Thomas Whiteside was an American journalist born in 1918. Whiteside wrote for The New Yorker for over 45 years. He covered such topics in his articles and books as cable television, the cigarette industry, the channel tunnel, chemical weapons (notably 2, 4, 5-T, a component of Agent Orange), Ralph Nader, Stig Wennerstrom, and yellow rain. It has been said that Whiteside's work on Agent Orange led directly to the congressional hearings which discussed the dangers of the substance. By the end of the hearings, the Surgeon General of the United States had announced restrictions on the use of the herbicide. The collection contains material related to the articles that Whiteside contributed to The New Yorker. The files include audiocassettes, book reviews, correspondence, drafts, galleys, notebooks and notes, research files, and typescripts. There is a small section of the collection that contains personal papers not tied directly to specific articles or books. The material ranges in date from the 1950s to the 1990s, spanning the time Whiteside worked at The New Yorker.

Henry Beetle Hough papers, 1841-1994

24 linear feet
Abstract Or Scope

Correspondence, manuscripts, typescripts, research files, documents, printed materials, photographs, and memorabilia of Mr and Mrs Hough. Correspondence includes both personal and business letters, dealing with wildlife conservation, civic interests, and birding. There is some correspondence of George A. Hough, Sr., father of H.B. Hough, who was editor of the New Bedford MA Standard. Most of the correspondence is arranged alphabetically, by personal name or subject, out-going and in-coming filed together. Henry and Elizabeth Hough's correspondence, for which there are no in-coming or related letters, are filed chronologically. Cataloged correspondents include Calvin Coolidge, Max Eastman, Helen Keller, John F. Kennedy, Emily Post, and James Reston.

William Bronk papers, 1908-1999

54 linear feet
Abstract Or Scope

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

Curtis Brown Ltd. records, 1914-2018

1745 linear feet
Abstract Or Scope

The files of Curtis Brown, Ltd. literary agency include correspondence with authors, publishers, and other agents and deal with the editing and publishing of trade and textbooks, serial rights, reprints, dramatic rights, translations and foreign rights, promotion and copyright registration. For each author there are contracts, royalty statements, tax statements, and other financial materials. There is also a contract file, including cancellations and related correspondence, from 1914 to 1988. Among the cataloged correspondents are: Louis S. Auchincloss, W.H. Auden, Erle Stanley Gardner, Robert Graves, Ogden Nash, Ayn Rand, and Sloan Wilson.

2 results

Edith Schloss Burckhardt Papers, 1962-2011

35 linear feet
Abstract Or Scope

The Edith Schloss Burckhardt Papers offer an extraordinary opportunity for research into multiple areas of scholarship, especially unique insight into the lives and experiences of women in the art world, an American artist's expat life in Rome from the 1960s-2010s, the New York School of painters and poets, and a particularly rich and far-reaching, vein of the avant-garde and experimental music world, to name a few.

1 result

Tennessee Williams papers, 1920-1983

160 linear feet
Abstract Or Scope
A large and important collection of the correspondence, memoirs, and plays of Tennessee Williams. The collection is especially strong in the later works.
2 results

Ronald Hobbs Literary Agency records, 1964- 1992

22 linear feet
Abstract Or Scope
This collection contains the administrative, financial, legal, and client records of the Ronald Hobbs Literary Agency, as well as material related to Ronald Hobbs' associated personal and professional activities.