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Correspondence, printed materials, photographs, and memorabilia collected by Katherine H. Parker (Mrs. George W.) dealing mostly with Edward Hugh Sothern (1859-1933) and his wife, Julia Marlowe (1865-1950), and also with Daniel Frohman (1851-1940) and American and English theater from 1890 to 1930.

Correspondence, contracts, reviews, brochures, fliers, and photographs of various theatrical productions involving Ann Greyson.

Correspondence, notebooks, and photocopies of manuscripts. There are letters from Jean Dubuffet, Walter Matthau, Arthur Miller, Harold Pinter, and Tennessee Williams. There are also six of Clurman's notebooks with notes on theater and photocopies of typescript pages re. his book, THE FERVENT YEARS (1945).

Correspondence, manuscripts, photographs, a document, a subject file, printed materials and scrapbooks of Tarydina. The correspondence includes letters from Rodion Berezov, Georgiĭ Grebenshchikov, Olǵa Spesivt︠s︡eva, Aleksandra Tolstai︠a︡ and I︠A︡kov T︠S︡vibak. While most of the manuscripts are Tarydina's own, there is an essay by Natalii︠a︡ Logunova, and a copy of one by Maksimilian Voloshin about Tarydina's father, General Nikandr Marks. There are several dozen photographs that chronicle emigre theatrical events she produced during the 1940's in New York in collaboration with her husband, I︠A︡kov Shigorin. There is a 1917 contract with the Bolśhoĭ Letniĭ Teatr and a subject file concerning Tarydina's father. The clippings and scrapbooks relate to Tarydina's theatrical career at the Moscow Malyĭ Theater, in Odessa and in New York as well as to her essays published in the emigre press.

Correspondence; biographical forms; typescript biographical entries, often corrected and amended by the subjects; documents; proofs; memoranda; notecards; photographs; clippings of reviews; and other printed materials for the project with the working title "Who's Who in the American Theatre." The materials were assembled by Walter Rigdon, editor, and James H. Heineman, publisher, from 1963, when the first biographical forms were sent out, until 1969, when plans for a second edition were abandoned. The 1101 page volume which was published under the title "The Biographical Encyclopaedia & Who's Who of the American Theater" includes 3350 biographical entries for theater people and a necrology of 9000 names, playbills from 1959-1964, histories of theater buildings and theater groups, production records of Plays staged in New York since 1900, a theater bibliography of 600 entries, lists of awards, and lists of foreign productions. Among those for whom original materials were included are Truman Capote, John Dos Passos, Richard Eberhart, T.S. Eliot, Arthur Miller, Elmer RIce, and Virgil Thomson.

Manuscripts by Payne, including plays, poems, journals, essays, account books, correspondence, letter books (to and from) including a large group of letters from Washington Irving. Also, pictorial material, scrapbooks, biographies, portraits, passports, and other documents; and materials on the Cherokee incident, 1835-1838, and Payne's arrest in Georgia. Other material include letters of various members of the Payne family and of related families. Of greatest interest is a group of fine letters and manuscripts of Eloise Richards Payne (1787-1819), a sister of the playwright. These present a sensitive and revealing portrait of the social, cultural, and political life of the time. Among the manuscripts and documents are many items of genealogical interest on the Paine, Shippen, Lynch, Luquer, and Lea families. Two boxes of the papers of Col. Thatcher Taylor Payne Luquer contain correspondence on various aspects of John Howard Payne's career, and on "An Unconscious Autobiography" the letters and diaries of William Osborn Payne (1783-1804), a brother of the playwright, edited by Col. Luquer.

This collection includes original and reprographic architectural drawings, black and white photographic prints, typescript specifications, and other papers relating to the architectural practice of Thomas W. Lamb, as well as his colleague and successor, John J. McNamara.