Search Results
Ira Hards papers, 1895-1937
2.5 linear feetA collection of letters written by various personages in theatrical and literary circles to Ira A. Hards and his wife, the actor Ina Hammer Hards. Among the letters are seventeen from George W. Cable and nine from Mary Austin, both of whom collaborated with the Hards in certain dramatic compositions. The collection also includes account books, appointment books, photographs, playscripts, programs, scrapbooks, and materials related to the Westchester Theatre.
Ann Greyson Papers, 1971-2000
1 linear feetCorrespondence, contracts, reviews, brochures, fliers, and photographs of various theatrical productions involving Ann Greyson.
Harold Clurman papers, 1922-1980
0.5 linear feetCorrespondence, notebooks, and photocopies of manuscripts. There are letters from Jean Dubuffet, Walter Matthau, Arthur Miller, Harold Pinter, and Tennessee Williams. There are also six of Clurman's notebooks with notes on theater and photocopies of typescript pages re. his book, THE FERVENT YEARS (1945).
Harry Harkness Flagler letters, 1781-1948
1 boxThe collection consists of letters from celebrities in various fields, largely addressed to Harry Harkness Flagler. Included are letters of Ambrose Bierce, Thomas A. Edison, Edwin Forrest, Andrew Jackson, Rudyard Kipling, Richard Mansfield, John D. Rockefeller, Franklin D. Roosevelt, John Ruskin, Constantin Stanislavsky, and George Washington. Especially noteworthy are five letters of Charles Dickens, bound together in one volume.
Herbert Machiz papers, 1956-1969
0.5 linear feetLetters to Herbert Machiz (1923-1976), a prominent theatrical director in New York. The correspondence includes items from well-known actors and authors, such as Truman Capote, Tennessee Williams, Yukio Mishima, Julie Harris, Paul Bowles, and Gian Carlo Menotti. The collection also includes newspaper articles on Mishima collected by Machiz, and an obituary of Machiz.
Booth Tarkington papers, 1921-1923
1 boxCorrespondence regarding the production of the plays INTIMATE STRANGERS and MAGNOLIA by Tarkington. There are twelve holograph letters, one detail sketch for a costume, and one page of manuscript and one page of typescript notes by Tarkington as well as thirteen telegrams sent by him. The letters and telegrams are all addressed to Mr. Ira A. Hards, director of the plays. In addition, there are copies of seven telegrams by Hards and one by the producer, A.L. Erlanger, all but one of which are addressed to Tarkington. Also, carbon copies of four letters from Hards and Erlanger to Tarkington, two items concerned with book production and dramatic rights of THE INTIMATE STRANGERS and one theatre program.
Robert Wilson papers, 1969-2000
148 linear feetCorrespondence, outlines, scripts, production notes, technical materials, story boards, contracts, posters, programs, announcements, recordings, reviews, and other printed materials relating to all aspects of Robert Wilson's theater works, opera, films, artwork and video productions. There are files for all of Wilson's theatrical performances, the most extensive of which is the CIVIL warS. Also included are the files of the Byrd Hoffman Foundation.
Arthur Miller papers relating to "The Crucible", 1952-1953
0.5 linear feetPlayscripts, notes, caricatures, rehearsal lists, playbills, a flyer, and newspaper reviews and clippings for THE CRUCIBLE by Arthur Miller. THE CRUCIBLE, a drama about the Salem witch trials of 1692, was first produced in Wilmington in January 1953 and opened in New York in June 1953. The playscripts show the working notes of Arthur Miller and of Jed Harris, the director.
Randolph Somerville papers, 1915-1958
28.5 linear feetPapers, promptbooks, photographs, lecture notes, correspondence, and theatrical files of Somerville. Included are materials from the Washington Square Players and Duke's Oak Theatre in Cooperstown, N.Y.
Stefan Brecht papers : typescript, 1980-1988
1.5 linear feetAt head of title: The Original Theatre of the City of New York From the Mid-'60s to the Mid-'70s. Book 4. A xerox copy of the book typescript of Book 4 in a projected series of nine volumes"The original theatre of the City of New York from the mid-sixties to the mid-seventies" which examines the culturally revolutionary growth of the American theater from 1963 to 1973 as a reflection of that decade's libertarian spirit. The typescript is divided into ten cardboard binders.