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RBML Office Files, 1917-2022

176.26 linear feet
Abstract Or Scope
This collection contains the administrative records of the Rare Book and Manuscript Library, from its days as the Department of Special Collections to the present.
1 result

Wallach Art Gallery Records, 1985-2017

17.25 linear feet
Abstract Or Scope
This collection consists of exhibition files, general operations files and exhibition catalogs generated by the Wallach Art Gallery staff between 1985 and 2017.
1 result

World War II Russian posters, 1939-1945

6 portfolios
Abstract Or Scope

A series of numbered Russian war posters issued by the Soviet news service, TASS. An English translation of the poster's titles, texts, authors, and artists are listed by the Tass number in a separate loose leaf binder

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World War I posters, 1914-1918

10 oversize folders
Abstract Or Scope

A collection consisting primarily of World War I posters issued in the United States and Russia.

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Sam and Katalin Schaefler poster collection : Posters, 1900-1918

8 posters
Abstract Or Scope

A collection including World War I posters issued in France. 1) Auguste Leroux: "3-e Emprunt de la défense nationale."; 2) Maurice Neumon: "Journée du Poilu."; 3) Georges Redon: "Emprunt national, Société générale."; 4) Th. Steinlen: Poster for the book PENDANT AU'ARSENE SE BAT by Cyril Berger, serialized from February 1918 in LE PAYS; 5) Tel: "L'emprunt des 'Derniéres cartouches.'"; 6) Charles Fouqueray: "Journée de l'Armée d'Afrique et des Troupes Coloniales." 1917

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World War II posters, 1939-1949

42 rolls
Abstract Or Scope

A collection consisting primarily of World War II posters issued in the United States, Great Britain, Russia and in Germany during the Allied occupation. In addition, there are United Nations posters and a few issued in Canada, France, Holland and Poland

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Frankenhuis posters collection, 1914-1926

22 linear feet
Abstract Or Scope

A collection, assembled by Dutch businessman Maurice Frankenhuis (1893-1969), consisting primarily of World War I posters, and in addition, post-war political and international pacifist movement posters, merchandise and motion picture advertisements, post-war anti-German propaganda, and war-related kindness to animals (horses) posters. Approximately half of the posters ate illustrated and half are textual; there are a few examples of handwritten, hand-lettered, or hand-painted posters. The general topics include: calls for money (war loans, subscriptions, war savings stamps, etc.), war material exhibitions, ordinances, war news (including battles such as Verdun, the French call for mobilization, victories such as the fall of Warsaw, the U.S. entry into the war, etc.), maps, propaganda, plans for the post-war world, recruiting appeals, Red Cross appeals, etc. The majority of the posters are German, for domestic consumption or for the people in the occupied parts of Belgium, France, and Russia. The nations whose posters are represented include: Australia, The Austro-Hungarian Empire, Belgium, Canada, France, Great Britain, India, Italy, the Netherlands, Romania, Russia, South Africa, and the United States. The languages used include: Arabic, Bengali, Bulgarian, Czech, Dutch, English, Estonian, Finnish, Flemish, Franch, German, Gujarati, Hindi, Hungarian, Italian, Japanese, Latvian, Lithuanian, Madrasi, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Turkish, Urdu, and Yiddish

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Columbia University in World War I Collection, 1914-1970

8.92 linear feet
Abstract Or Scope
This collection contains records documenting Columbia University's activities slightly prior to, during and immediately following World War I. The collection consists of mostly correspondence, but also includes newspaper clippings, pamphlets, various publications, reports, photographs, service record cards, and numerous lists of Columbia men and women who served during the war.
1 result

Series VIII: Publications and Clippings, 1914-1970

Julian Clarence Levi architectural drawings and papers, 1895-1963

16 manuscript boxes
Abstract Or Scope
The Julian Clarence Levi collection documents the life and activities of a twentieth century American architect and philanthropist. The collection consists of watercolor study drawings developed while Levi was a student at Columbia University and the École des Beaux Arts; architectural drawings, photographs and records for architectural projects designed and developed in association with his partner Alfred S. Taylor from 1907 until 1962; professional papers from various committees and societies Levi was associated with; personal papers and photographs, including documentation on his family and office, his academic and professional recognitions, public events, travels and social gatherings as a former Columbia alumnus; and various prints and photographs of buildings and European artists collected by Levi throughout his life.
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Scrapbook 4 [documents Julian Levi's activities and philanthropy and Architect's Emergency Committee], 1929-1965 Box 30