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Cecile Starr papers, 1925-2001

15 linear feet
Abstract Or Scope
Personal documents, correspondence, photographs, audiocassettes, and printed material of the filmmaker, film writer, and educator Cecile Starr (1921-2014).
1 result

Barnard Center for Research on Women records, 1962-2020

57 Linear Feet
Abstract Or Scope
This collection consists of records from the Barnard Center for Research on Women, formerly known as the Barnard Women's Center. It includes bylaws; director's and financial reports; correspondence; Executive Committee minutes; planning and publicity materials for and recordings of the Scholar and the Feminist Conference, career workshops and other events; and administrative materials related to women's studies courses, the Women's Center Resource Collection, the Women's Counseling Project, and other projects and publications.
3 results

Great Women Artists event, 1974 Box 14, Folder 17

Sabra Moore NYC Women's Art Movement Collection, 1969-1996, bulk 1970-1992

13.78 Linear Feet
Abstract Or Scope
This collection documents Sabra Moore's involvement in the Women's Art Movement, Women's Caucus for Art, Women Artists in Revolution, Heresies Collective, and other feminist artist groups based in New York City from the 1970s to the mid-1990s. The collection consists of flyers, publications, artwork, t-shirts, correspondence, photographs, and protest ephemera conceived of, and created by, Moore and her artist colleagues.
Top 3 results view all 15

Sylvia Ardyn Boone Papers, 1925-2011, bulk 1961-1993

40 linear feet
Abstract Or Scope
This collection contains the personal and professional papers of Sylvia Ardyn Boone, a scholar of Art History with a focus on African art, and the first African-American woman to receive tenure at Yale University. The collection includes manuscripts, correspondence, course materials and syllabi, research notes, printed materials, photographs, video and sound recordings, and other papers relating to professional projects. Also included are dissertation manuscripts for recipients of the Sylvia Ardyn Boone Memorial Prize at Yale.
1 result

Marvin Kitman papers, 1950-2006

277.58 linear feet
Abstract Or Scope

The dead columns of Marvin Kitman, mostly from Newsday. The file folders contain clippings, notes, background research, correspondence, publicity materials, photographs, etc. for the columns. Kitman writes about a variety of topics as he criticizes practically every television program and genre from the 1960s through 2003. There are also a few files of letters, as well as his various "polls".

1 result

Columbia University Office of Art Properties Records, 1960-2012

7.9 linear feet
Abstract Or Scope
The records in the collection reflect the Department's mission and its daily operations. The materials contained within it include exhibition proposals, catalogs and posters, photographs, general correspondence, and other administrative files.
1 result

Brander Matthews Dramatic Museum realia, 1700-1966

214 boxes
Abstract Or Scope
This collection contains puppets, masks, and set models from the collection of the Brander Matthews Dramatic Museum and Library.
1 result

Florine Stettheimer papers, 1920-1940

15 Linear Feet
Abstract Or Scope

This collection includes correspondence, original artwork, journals and scrapbooks of Stettheimer's work, photographs of her paintings, apartments, family and friends, catalogues, books and articles pertaining to Stettheimer's paintings and exhibits and puppets for Four Saints in Three Acts and the (unfinished) ballet Pocahontas.

1 result

Program in the Arts, 1970-1989

8.33 Linear Feet
Abstract Or Scope
This collection consists of materials that document the history of the Program in the Arts (1970-1989) at Barnard College.
1 result

Connections Project/ Conexus Exhibition Documentation and Artwork, 1985-1989

8.83 Linear Feet
Abstract Or Scope
This collection highlights the international, feminist art exhibit Connections Project/ Conexus, co-curated by Josely Carvalho and Sabra Moore. The collection contains documentation of the exhibition's creation including correspondence to and from participating artists, correspondence between the curators, correspondence with exhibiting institutions, design specifications, insurance information, and budgets. It also contains original pieces of artwork including a photocopier artists book and individual artworks.
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