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Theodore Dreiser letters and manuscripts, 1897-1939

1 box
Abstract Or Scope

A collection of letters and manuscripts of Dreiser. Among the seventeen letters are four written to the American editor William C. Lengel, concerning the writing of THE "GENIUS." The collection also contains the holograph manuscripts of "Fulfillment" a short story published in the author's CHAINS in 1927, and "Some American Women Painters" a journalistic essay written ca. 1897 and apparently unpublished (see article by Ellen Moers, COLUMBIA LIBRARY COLUMNS, May 1966, pp. 10-24).

1 result

Reid Hall records, 1919-1997

10.42 linear feet
Abstract Or Scope
Reid Hall is Columbia University's study abroad center in Paris, France. The university acquired Reid Hall in 1966 from the American University Women's Paris Club's Reid Hall, Inc., which had previously operated the building as a residence for American women studying in France. Columbia's School of General Studies took over the administration of Reid Hall and maintained a variety of semester and yearlong programs for Columbia students in French language, history, and culture. The collection contains the administrative records for Reid Hall and its programming.

Edith Schloss Burckhardt Papers, 1962-2011

35 linear feet
Abstract Or Scope

The Edith Schloss Burckhardt Papers offer an extraordinary opportunity for research into multiple areas of scholarship, especially unique insight into the lives and experiences of women in the art world, an American artist's expat life in Rome from the 1960s-2010s, the New York School of painters and poets, and a particularly rich and far-reaching, vein of the avant-garde and experimental music world, to name a few.

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Ruth Abrams films, circa 1960s

4 film reels
Abstract Or Scope

The collection consists of 4 film reels, which have been digitized and are available online to Columbia affilates (and available to our public in our reading room).

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Mira Edgerly Korzybska papers, 1850-1960

13 linear feet
Abstract Or Scope

Correspondence, manuscripts, notes, diaries, documents, photographs, audio tape recordings, printed materials, scrapbooks, and sketches and drafts of portraits. Her finished portraits on ivory are cataloged separately for the Art Collection (q.v.). The collection includes her correspondence with friends and clients; manuscripts of her articles, lectures, and many unpublished autobiographical drafts; pencil sketches, watercolor drafts, and photoprints of her portraits on ivory; photographs of her family amd travels; clippings and other printed materials; and three scrapbooks of clippings and memorabilia. There is cataloged correspondence from Arnold Genthe, S.I. Hayakawa, Karen Horney, Burges Johnson, Dwight Macdonald, and Alice B. Toklas, etc.

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Harold Van Buren Magonigle architectural drawings and papers, 1894-1944, bulk 1894-1930

2,184 architectural drawings
Abstract Or Scope
Harold Van Buren Magonigle was a New York-based architect, graphic designer, painter and sculptor. Magonigle married artist Edith Marion Day in 1900. Edith Magonigle was a painter and muralist who served as President of the Society of Women Painters and Sculptors. Edith was a primary collaborator of Harold Van Buren Magonigle in both the decoration and creation of buildings designed by his practice. He was widely known as an architect of memorial structures including the Firemen's Memorial on Riverside Drive and the Liberty Memorial in Kansas City. Other prominent commissions include the Isaac Guggenheim house in Port Washington, New York and the United States Embassy in Tokyo, Japan.
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Elizabeth Blake Papers, 1940-2010, bulk 1940-1976

1.50 linear feet
Abstract Or Scope
A collection of personal papers of Elizabeth (Betty) Blake, who was very active in both the Columbia and broader Manhattan communities, consisting primarily of correspondence, meeting agendas, minutes, and Columbia University memorabilia.
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